A work in constant progress (and occasional regress).
Sound:
2007 The Afternoon Has Eyes
Sound Designer:
2001 A second Chance
2001 Written on the Body of Night
2007 The Afternoon Has Eyes
2011 The Zebra
2012 Class Trip
2012 The Convict Patient
2012 Three Voices
2014 Perfect Obedience
2015 The Last One and then We Go
2016 Number Eighty
2019 Rendez-vous
2020 Taken Identity
Sound Director:
2001 A second Chance
2001 Written on the Body of Night
2006 Sexo, amor y otras perversiones
2007 The Afternoon Has Eyes
2011 The Zebra
2012 Class Trip
2012 The Convict Patient
2012 Three Voices
2014 Perfect Obedience
2015 The Last One and then We Go
2016 Number Eighty
2019 Rendez-vous
2020 Taken Identity
Sound Editor:
2001 A second Chance
2001 Written on the Body of Night
2006 Sexo, amor y otras perversiones
2007 The Afternoon Has Eyes
2011 The Zebra
2012 Class Trip
2012 The Convict Patient
2012 Three Voices
2014 Perfect Obedience
2015 The Last One and then We Go
2016 Number Eighty
2017 The Other Side
2019 Rendez-vous
2020 Taken Identity
Sound Mix Technician:
2001 A second Chance
2001 Written on the Body of Night
2006 Sexo, amor y otras perversiones
2007 The Afternoon Has Eyes
2011 The Zebra
2012 Class Trip
2012 The Convict Patient
2012 Three Voices
2014 Perfect Obedience
2015 The Last One and then We Go
2016 Number Eighty
2017 The Other Side
2019 Rendez-vous
2020 Taken Identity
2023 Mom
Sound Mixer:
2001 A second Chance
2001 Written on the Body of Night
2004 Charros
2006 Sexo, amor y otras perversiones
2007 The Afternoon Has Eyes
2011 The Zebra
2012 Class Trip
2012 The Convict Patient
2012 Three Voices
2014 Perfect Obedience
2015 The Last One and then We Go
2016 Number Eighty
2017 The Other Side
2019 Rendez-vous
2019 The Guardian of Memory
2020 Taken Identity
2020 The Spokeswoman
2022 Time Theorem
2023 Mom
Sound Re-Recording Mixer:
1998 Loco corazón
2001 A second Chance
2001 Written on the Body of Night
2004 Charros
2004 Huapango
2006 Sexo, amor y otras perversiones
2007 The Afternoon Has Eyes
2011 The Zebra
2012 Class Trip
2012 The Convict Patient
2012 Three Voices
2014 Perfect Obedience
2015 The Last One and then We Go
2016 Given In Love
2016 Number Eighty
2017 The Other Side
2019 Rendez-vous
2019 The Dove and the Wolf
2019 The Guardian of Memory
2020 Taken Identity
2020 The Spokeswoman
2021 Ana's Desire
2021 Karnawal
2022 Time Theorem
2023 Mom
Sound Supervisor:
1998 Loco corazón
2001 A second Chance
2001 Written on the Body of Night
2004 Charros
2004 Huapango
2006 Sexo, amor y otras perversiones
2007 The Afternoon Has Eyes
2011 The Zebra
2012 Class Trip
2012 The Convict Patient
2012 Three Voices
2014 Perfect Obedience
2015 The Last One and then We Go
2016 Given In Love
2016 Number Eighty
2017 The Other Side
2019 Rendez-vous
2019 The Dove and the Wolf
2019 The Guardian of Memory
2020 Deadly Embroidered Memories
2020 Taken Identity
2020 The Spokeswoman
2021 Ana's Desire
2021 Karnawal
2022 Time Theorem
2023 Mom
Sound mixer:
1998 Loco corazón
2001 A second Chance
2001 Written on the Body of Night
2004 Charros
2004 Huapango
2006 Sexo, amor y otras perversiones
2007 The Afternoon Has Eyes
2011 The Zebra
2012 Class Trip
2012 The Convict Patient
2012 Three Voices
2014 Color of my Wings
2014 Perfect Obedience
2015 The Last One and then We Go
2016 Given In Love
2016 Number Eighty
2017 The Other Side
2019 Rendez-vous
2019 The Dove and the Wolf
2019 The Guardian of Memory
2020 Deadly Embroidered Memories
2020 Taken Identity
2020 The Spokeswoman
2021 Ana's Desire
2021 Karnawal
2022 Time Theorem
2023 Mom
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.