A work in constant progress (and occasional regress).
Release Date:
January 7, 1954
Original Title:
The Million Pound Note
Alternate Titles:
Bancnota de un milion de lire sterline
Big Money - Die Macht des Geldes
De man met een milloen
Die Million-Pfundnote
Egymillió fontos bankjegy
El hombre del millón
La banconota da 1.000.000 di sterline
Man with a Million
Milioner bez grosza
Milionário sem Vintém
Miljonpundssedeln
Miljoonan punnan seteli
Millionpundseddelen
Mr. Adams i paradis
Sahte milyoner
Ένα εκατομμύριο λίρες
Για ένα εκατομμύριο λίρες
春風と百万紙幣
Genres:
Comedy
Production Companies:
The Rank Organisation
Production Countries:
United Kingdom
Ratings / Certifications:
AT: 12 DE: 12 US: PG
Runtime: 90
An impoverished American sailor is fortunate enough to be passing the house of two rich gentlemen who have conceived the crazy idea of distributing a note worth one million pounds. The sailor finds that whenever he tries to use the note to buy something, people treat him like a king and let him have whatever he likes for free. Ultimately, the money proves to be more troublesome than it is worth when it almost costs him his dignity and the woman he loves.
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Art Direction:
John Box
Jack Maxsted
Assistant Director:
Robert Asher
Associate Producer:
E.M. Smedley-Aston
Camera Operator:
James Bawden
Conductor:
Muir Mathieson
Costume Designer:
Margaret Furse
Director:
Ronald Neame
Director of Photography:
Geoffrey Unsworth
Editor:
Clive Donner
Executive Producer:
Earl St. John
Hairdresser:
Biddy Chrystal
Makeup Artist:
George Blackler
Original Music Composer:
William Alwyn
Other:
Joan Bridge
Producer:
John Bryan
Production Controller:
Arthur Alcott
Screenplay:
Jill Craigie
Set Dresser:
Dario Simoni
Sound Editor:
Winston Ryder
Sound Recordist:
Dudley Messenger
Gordon K. McCallum
Story:
Mark Twain
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.