Clive Donner (1926-2010)

Alias:
Клайв Доннер

Birthplace:
London, England, UK

Born:
January 21, 1926

Died:
September 6, 2010

Clive Stanley Donner was a British film director who was a defining part of the British New Wave, directing films such as The Caretaker, Nothing But the Best, Here We Go Round the Mulberry Bush and What's New Pussycat? He also directed television movies and commercials through the mid-1990s.

Additional information:

The Search Form


Adaptation:
1966  The Machine Stops

Director:
1957  The Secret Place
1958  Heart of a Child
1960  Marriage of Convenience
1961  The Sinister Man
1962  Some People
1964  Nothing But the Best
1964  The Caretaker
1965  What's New Pussycat?
1966  The Machine Stops
1967  Luv
1968  Here We Go Round the Mulberry Bush
1969  Alfred the Great
1974  Vampira
1976  Rogue Male
1977  Spectre
1977  The Three Hostages
1978  She Fell Among Thieves
1978  The Thief of Baghdad
1980  The Nude Bomb
1981  Charlie Chan and the Curse of the Dragon Queen
1982  Oliver Twist
1982  The Scarlet Pimpernel
1984  A Christmas Carol
1984  To Catch a King
1985  Arthur the King
1986  Babes in Toyland
1986  Dead Man's Folly
1988  Stealing Heaven
1990  Not a Penny More, Not a Penny Less
1992  Terror Stalks the Class Reunion

Editor:
1944  The Way Ahead
1949  The Passionate Friends
1950  Madeleine
1951  Pandora and the Flying Dutchman
1951  Scrooge
1952  Meet Me Tonight
1952  The Card
1953  Genevieve
1954  The Million Pound Note
1954  The Purple Plain
1955  I Am a Camera
1957  The Secret Place
1958  Heart of a Child
1960  Marriage of Convenience
1961  The Sinister Man
1962  Some People
1964  Nothing But the Best
1964  The Caretaker
1965  What's New Pussycat?
1966  The Machine Stops
1967  Luv
1968  Here We Go Round the Mulberry Bush
1969  Alfred the Great
1974  Vampira
1976  Rogue Male
1977  Spectre
1977  The Three Hostages
1978  She Fell Among Thieves
1978  The Thief of Baghdad
1980  The Nude Bomb
1981  Charlie Chan and the Curse of the Dragon Queen
1982  Oliver Twist
1982  The Scarlet Pimpernel
1984  A Christmas Carol
1984  To Catch a King
1985  Arthur the King
1986  Babes in Toyland
1986  Dead Man's Folly
1988  Stealing Heaven
1990  Not a Penny More, Not a Penny Less
1992  Terror Stalks the Class Reunion

Producer:
1944  The Way Ahead
1949  The Passionate Friends
1950  Madeleine
1951  Pandora and the Flying Dutchman
1951  Scrooge
1952  Meet Me Tonight
1952  The Card
1953  Genevieve
1954  The Million Pound Note
1954  The Purple Plain
1955  I Am a Camera
1957  The Secret Place
1958  Heart of a Child
1960  Marriage of Convenience
1961  The Sinister Man
1962  Some People
1964  Nothing But the Best
1964  The Caretaker
1965  What's New Pussycat?
1966  The Machine Stops
1967  Luv
1968  Here We Go Round the Mulberry Bush
1969  Alfred the Great
1974  Vampira
1976  Rogue Male
1977  Spectre
1977  The Three Hostages
1978  She Fell Among Thieves
1978  The Thief of Baghdad
1980  The Nude Bomb
1981  Charlie Chan and the Curse of the Dragon Queen
1982  Oliver Twist
1982  The Scarlet Pimpernel
1984  A Christmas Carol
1984  To Catch a King
1985  Arthur the King
1986  Babes in Toyland
1986  Dead Man's Folly
1988  Stealing Heaven
1990  Not a Penny More, Not a Penny Less
1992  Terror Stalks the Class Reunion

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.