A work in constant progress (and occasional regress).
Birthplace:
London, England, UK
Born:
May 4, 1941
Larry Dann (born 4 May 1941 in London, England) is a British film and television actor. His acting career began by a fluke, with "a chance knock at the door looking for kids to work in films." He made his film debut age five in Adam and Evelyn (1946) with Jean Simmons and Stewart Granger, and worked as an extra before training at the Corona Stage Academy. As a youngster he had a cameo playing a schoolboy in Carry On Teacher (1959), and appeared in two films with Sir Norman Wisdom, Trouble in Store (1953) and The Bulldog Breed (1960). He later rejoined the famous Carry On series of films for Carry On Behind (1975), Carry On England (1976) and Carry On Emmannuelle (1978). His other film roles included What a Crazy World (1963), All Neat in Black Stockings (1968), The Body Stealers (1969), Before Winter Comes, (1969), Our Miss Fred (1972) Ghost Story (1974) and The Bunker (1981). From 1984 to 1992, he played Sergeant Alec Peters in 227 episodes of the ITV police series The Bill. In 2020, Dann shared his memories of his early work on The Bill for the book Witness Statements: Making The Bill (Series 1-3). A follow-up volume, Witness Statements: Making The Bill (1988) was published in 2022, also featuring memories from Dann about his time as Sgt. Peters during the earliest half-hour episodes of the programme. Dann joined the Theatre Workshop in 1962 and appeared in numerous plays directed by Joan Littlewood including Oh, What a Lovely War! in London, Paris and New York. In 2023, Dann wrote his autobiography Oh, What A Lovely Memoir, published by Devonfire Books.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.