A work in constant progress (and occasional regress).
Birthplace:
Asti, Piedmont, Italy
Born:
January 6, 1937
Paolo Conte (born 6 January 1937) is an Italian singer, pianist, songwriter and lawyer known for his distinctly grainy, resonant voice. His compositions fuse Italian and Mediterranean sounds with jazz, boogie and elements of the French chanson and Latin-American rhythms. Conte was born in Asti, Piedmont. His parents were avid jazz fans and Conte and his younger brother Giorgio spent their formative years listening to a lot of early jazz and blues recordings. After obtaining a law degree at the University of Parma, Conte started working as an assistant solicitor with his father, simultaneously pursuing his musical studies. He learned to play the trombone, the vibraphone and the piano, and formed a jazz band with his brother on guitar. Conte's skill for composing music and original arrangements was noted by music producer Lilli Greco, who paired Conte with lyricist Vito Pallavicini. They wrote songs for Adriano Celentano ("Azzurro", 1968), Caterina Caselli ("Insieme a te non ci sto più", 1968), Fausto Leali ("Deborah", 1968) and Enzo Jannacci ("Messico e nuvole", 1970). In 1974 Conte recorded his first album, Paolo Conte. The following year, he released another eponymous album. Following a series of well-received shows at Club Tenco in Sanremo in 1976 and the commercial success of his third album, 'Un gelato al limon', Conte concentrated almost exclusively on his solo career. Some of Conte's most popular songs have been used as film soundtracks, including "Come Di" in I Am David (2003) and Mickey Blue Eyes (1999), "Via con me" in French Kiss (1995), Mostly Martha (2001) and Welcome to Collinwood (2002). In addition, Conte's song "L’orchestrina" is featured during the end credits for episodes 3 and 4 of the television series The New Pope (2020). In 1997 Conte won the Nastro d'Argento for Best Score for the film La freccia azzurra. On 24 March 1999, Conte was awarded the Knight Grand Cross of the Order of Merit of the Italian Republic, by President Giorgio Napolitano for his "outstanding cultural achievements". On 15 May 2001, France ordered Paolo Conte Chevalier dans l'Ordre des Arts et des Lettres. In 2015, Conte was awarded the Premio Galileo for contemporary music in Padua. Conte has also received several honorary doctorates, including one from the University of Macerata (1990). Source: Article "Paolo Conte" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Music:
1996 How the Toys Saved Christmas
Original Music Composer:
1982 Grog
1983 A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit
1983 You Upset Me
1984 Sotto Sotto
1988 Una notte, un sogno
1996 How the Toys Saved Christmas
Songs:
1982 Grog
1983 A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit
1983 You Upset Me
1984 Sotto Sotto
1988 Tutta colpa della SIP
1988 Una notte, un sogno
1996 How the Toys Saved Christmas
1997 Rossini
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.