A work in constant progress (and occasional regress).
Birthplace:
USA
Janet Healy started her career in live-action films, working with directors Stanley Kramer, Hal Ashby and Sam Peckinpah. She worked with Steven Spielberg on Close Encounters of the Third Kind and 1941, serving as Associate Producer on the latter. She then joined George Lucas' visual effects company, Industrial Light & Magic (ILM), as a Co-Head of Production. At ILM, Janet produced some of the era's most groundbreaking visual effects work, including the Academy Award®-winning visual effects for Terminator 2: Judgment Day and Jurassic Park. She was instrumental in leading the industry transition from reliance on photo-chemical and in-camera processes to the use of the digital 2D and 3D techniques that are common place in visual effects today. During those years at ILM she was also the Visual Effects Producer for Ghostbusters II, Joe Versus the Volcano, and Willow. In 1995 she joined Walt Disney Feature Animation as the Head of Digital Production and oversaw the CG work on the films Tarzan, Dinosaur and Mulan. She moved to DreamWorks Animation a to serve as Head of Production for several years and was a Producer on Shark Tale. In 2008, Janet joined Chris Meledandri at Illumination Entertainment and Universal Pictures. Along with Chris, Janet is the Producer of Despicable Me, The Lorax, Despicable Me 2, The Minions, The Secret Life of Pets, Sing, Despicable Me 3, The Grinch, The Secret life of Pets 2, Sing 2, and Minions:The Rise of Gru. Janet is a member of the New Media Council of the Producers Guild of America and a Founding Member of the Visual Effects Society. She has served as a member of the Board of Directors and as an Executive Board member of those organizations respectively. In 2014 she was awarded the Visual Effects Society's highest honor, The Founder's Award, for her contributions to the industry and to that organization. She is also a member of The Academy of Motion Picture Arts and Sciences. As of 2022, the films Janet has produced have earned more than $ 8 billion worldwide. In 2015 she was honored to be a recipient of the Chevalier of the Order of Arts and Letters by the French Ministry of Culture, and she is also a Dame of Saint-Émilion, France.
Digital Effects Producer:
1995 Casper
Executive Producer:
1995 Casper
2006 Shark Bait
Producer:
1995 Casper
2004 Shark Tale
2006 Shark Bait
2010 Despicable Me
2010 Despicable Me Presents: Minion Madness
2011 Brad & Gary
2012 Forces of Nature
2012 Serenade
2013 Despicable Me 2
2013 Panic in the Mailroom
2013 Puppy
2013 Training Wheels
2015 Binky Nelson Unpacified
2015 Competition
2015 Cro Minion
2015 Minions
2016 Norman Television
2016 Sing
2016 The Secret Life of Pets
2016 Weenie
2017 Despicable Me 3
2017 Eddie's Life Coach
2017 Gunter Babysits
2017 Love at First Sight
2018 The Grinch
2019 The Secret Life of Pets 2
2021 Sing 2
2022 Minions & More Volume 2
2022 Minions: The Rise of Gru
Visual Effects Producer:
1988 Willow
1989 Ghostbusters II
1991 Terminator 2: Judgment Day
1993 Jurassic Park
1995 Casper
2004 Shark Tale
2006 Shark Bait
2010 Despicable Me
2010 Despicable Me Presents: Minion Madness
2011 Brad & Gary
2012 Forces of Nature
2012 Serenade
2013 Despicable Me 2
2013 Panic in the Mailroom
2013 Puppy
2013 Training Wheels
2015 Binky Nelson Unpacified
2015 Competition
2015 Cro Minion
2015 Minions
2016 Norman Television
2016 Sing
2016 The Secret Life of Pets
2016 Weenie
2017 Despicable Me 3
2017 Eddie's Life Coach
2017 Gunter Babysits
2017 Love at First Sight
2018 The Grinch
2019 The Secret Life of Pets 2
2021 Sing 2
2022 Minions & More Volume 2
2022 Minions: The Rise of Gru
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.