Werewolf of London (1935) [NR]

Release Date:
May 13, 1935

Original Title:
Werewolf of London

Alternate Titles:
El lobo humano
WereWolf of London

Genres:
Fantasy | Horror

Production Companies:
Universal Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  SE: 15  US: NR 

Runtime: 75

Beware the Stalking Being - Half-Human - Half-Beast!

A strange animal attack turns a botanist into a bloodthirsty monster.

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Adaptation:
Harvey Gates

Art Direction:
Albert S. D'Agostino

Assistant Camera:
John J. Martin

Assistant Director:
Phil Karlson
Charles S. Gould

Associate Producer:
Robert Harris

Boom Operator:
Frank Artman

Camera Operator:
Maury Gertsman

Child Wrangler:
Mary West

Conductor:
Karl Hajos

Director:
Stuart Walker

Director of Photography:
Charles J. Stumar

Editor:
Russell F. Schoengarth
Milton Carruth

Executive Producer:
Stanley Bergerman

Grip:
A. Buckley
E. Brown
Lester Kahn

Hair Setup:
Mary Dolor

Lighting Technician:
Irving Smith

Makeup Artist:
Jack Pierce
Armand Triller

Music:
Heinz Roemheld

Music Coordinator:
Abe Meyer

Music Supervisor:
Gilbert Kurland

Orchestrator:
Clifford Vaughan

Original Music Composer:
Karl Hajos

Production Secretary:
Billy Moritz
Muriel Yoemans

Property Master:
Robert Laszlo

Screenplay:
John Colton

Script Researcher:
Jean Raymond

Sound Mixer:
Bob Richards

Sound Recordist:
Donald Cunliffe

Sound Supervisor:
Gilbert Kurland

Special Effects:
John P. Fulton

Special Effects Assistant:
David S. Horsley

Story:
Robert Harris

Stunt Double:
Eddie Parker
George DeNormand
Harvey Parry

Supervising Editor:
Maurice Pivar

Technical Supervisor:
Archie Hall

Writer:
Edmund Pearson

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.