A work in constant progress (and occasional regress).
Release Date:
May 13, 1935
Original Title:
Werewolf of London
Alternate Titles:
El lobo humano
WereWolf of London
Genres:
Fantasy | Horror
Production Companies:
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 SE: 15 US: NR
Runtime: 75
A strange animal attack turns a botanist into a bloodthirsty monster.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Adaptation:
Harvey Gates
Art Direction:
Albert S. D'Agostino
Assistant Camera:
John J. Martin
Assistant Director:
Phil Karlson
Charles S. Gould
Associate Producer:
Robert Harris
Boom Operator:
Frank Artman
Camera Operator:
Maury Gertsman
Child Wrangler:
Mary West
Conductor:
Karl Hajos
Director:
Stuart Walker
Director of Photography:
Charles J. Stumar
Editor:
Russell F. Schoengarth
Milton Carruth
Executive Producer:
Stanley Bergerman
Grip:
A. Buckley
E. Brown
Lester Kahn
Hair Setup:
Mary Dolor
Lighting Technician:
Irving Smith
Makeup Artist:
Jack Pierce
Armand Triller
Music:
Heinz Roemheld
Music Coordinator:
Abe Meyer
Music Supervisor:
Gilbert Kurland
Orchestrator:
Clifford Vaughan
Original Music Composer:
Karl Hajos
Production Secretary:
Billy Moritz
Muriel Yoemans
Property Master:
Robert Laszlo
Screenplay:
John Colton
Script Researcher:
Jean Raymond
Sound Mixer:
Bob Richards
Sound Recordist:
Donald Cunliffe
Sound Supervisor:
Gilbert Kurland
Special Effects:
John P. Fulton
Special Effects Assistant:
David S. Horsley
Story:
Robert Harris
Stunt Double:
Eddie Parker
George DeNormand
Harvey Parry
Supervising Editor:
Maurice Pivar
Technical Supervisor:
Archie Hall
Writer:
Edmund Pearson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.