A work in constant progress (and occasional regress).
Additional Camera:
1946 Blonde Alibi
Assistant Camera:
1935 Werewolf of London
1946 Blonde Alibi
Camera Operator:
1935 Werewolf of London
1946 Blonde Alibi
1947 Blonde Savage
1948 Joe Palooka in Fighting Mad
1948 The Feathered Serpent
1948 The Golden Eye
1949 Black Midnight
1949 Hold That Baby!
1949 Leave It to Henry
1952 The Steel Fist
Cinematography:
1935 Werewolf of London
1946 Blonde Alibi
1947 Blonde Savage
1948 Joe Palooka in Fighting Mad
1948 The Feathered Serpent
1948 The Golden Eye
1949 Black Midnight
1949 Hold That Baby!
1949 Leave It to Henry
1952 Sea Tiger
1952 The Steel Fist
Director of Photography:
1935 Werewolf of London
1946 Blonde Alibi
1947 Blonde Savage
1948 Joe Palooka in Fighting Mad
1948 The Feathered Serpent
1948 The Golden Eye
1949 Black Midnight
1949 Hold That Baby!
1949 Leave It to Henry
1952 Sea Tiger
1952 The Steel Fist
1954 Highway Dragnet
1954 Marshals in Disguise
1954 Port of Hell
1954 The Big Chase
1955 Betrayed Women
1955 The Big Tip Off
1955 The Tilted Tenderfoot
First Assistant Camera:
1933 Saturday's Millions
1935 Werewolf of London
1946 Blonde Alibi
1947 Blonde Savage
1948 Joe Palooka in Fighting Mad
1948 The Feathered Serpent
1948 The Golden Eye
1949 Black Midnight
1949 Hold That Baby!
1949 Leave It to Henry
1952 Sea Tiger
1952 The Steel Fist
1954 Highway Dragnet
1954 Marshals in Disguise
1954 Port of Hell
1954 The Big Chase
1955 Betrayed Women
1955 The Big Tip Off
1955 The Tilted Tenderfoot
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.