A work in constant progress (and occasional regress).
Birthplace:
Olmütz, Moravia, Austria-Hungary [now Olomouc, Czech Republic]
Born:
February 15, 1880
Died:
August 12, 1946
From Wikipedia, the free encyclopedia Egon Brecher (18 February 1880 – 12 August 1946) was an Austria-Hungary-born actor and director, who also served as the chief director of Vienna's Stadts Theatre, before entering the motion picture industry. The son of a professor, Brecher began studying philosophy in 1900 at the University of Heidelberg in Germany. He did not finish his studies, deciding to become an actor. He appeared on several provincial stages in Germany and Austria until 1910, and then played in Vienna on various occasions, directed by Josef Jarno until 1921. In 1907, he founded an initiative (which lasted for something like one or two years) to play modern Yiddish theatre in German language with Siegfried Schmitz and members of the student club ‘Theodor Herzl’ like Hugo Zuckermann and Oskar Rosenfeld. In 1919 he was co-founder of the Freie Jüdische Volksbühne in Vienna, a Yiddish theatre, which existed for three years. Then, in 1921, he moved to New York to act on Broadway. He moved to Hollywood in the late 1920s to appear in foreign-language versions of American films. In the mid-1930s he appeared in classic horror films The Black Cat, Werewolf of London, The Black Room, Mark of the Vampire and The Devil-Doll, and worked steadily in the espionage films of the 1930s/40s, his Slavic accent landing him roles both noble and villainous. One of his largest screen roles was in 1946's So Dark the Night. He died later in 1946, aged 66, of a heart attack in Los Angeles, California.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.