A work in constant progress (and occasional regress).
Release Date:
February 14, 1991
Original Title:
The Silence of the Lambs
Alternate Titles:
De schreeuw van het lam
El Silencio de los Inocentes
El silencio de los corderos
Hitsujitachi no Chinmoku
Kravta dumili
Le Silence des agneaux
Milczenie Owiec
O Silêncio dos Inocentes
Quzuların Səssizliyi
سکوت بره ها
양들의 침묵
한니발 1
Genres:
Crime | Drama | Thriller
Production Companies:
Orion Pictures
Strong Heart
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AU: MA 15+ BR: 14 CA: 18A CH: 16 DE: 16 DK: 15 ES: 18 FI: 16 FR: 16 GB: 18|15 GR: 18 HU: 18 ID: 17+ IE: 15 IN: A IT: T KR: 18 LT: N-16 MX: C NL: 16 NO: 18 PH: R-18 PL: 18 PT: M/16 RU: 18+|16+ SE: 15 SK: 18 TR: 18+ TW: 限制級 US: R
Runtime: 119
Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
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1998 #65 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2001 #5 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
2003 #1 |
100 Years: 100 HEROES & VILLAINS
50 Greatest Villains “Hannibal Lechter” |
2003 #6 |
100 Years: 100 HEROES & VILLAINS
50 Greatest Heroes “Clarice Starling” |
2005 #21 |
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time “A census taker once tried to test me. I ate his liver with some fava beans and a nice Chianti.” |
2007 #74 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
ADR Editor:
Gail Showalter
Deborah Wallach
ADR Recordist:
David Boulton
Additional Casting:
Donna M. Belajac
Aerial Camera:
Mark Streapy
Animal Wrangler:
Ray Mendez
Apprentice Sound Editor:
Missy Cohen
Art Department Coordinator:
Francine Byrne
Art Direction:
Tim Galvin
Assistant Art Director:
Gary Kosko
Assistant Costume Designer:
Kathleen Gerlach
Assistant Director:
Ron Bozman
Assistant Production Coordinator:
Lisa Bradley
Assistant Sound Editor:
Brian Johnson
Associate Editor:
Lisa Bromwell
Associate Producer:
Grace Blake
Best Boy Electric:
Ken Connors
Boom Operator:
Dennis Maitland II
Camera Operator:
Tony C. Jannelli
Camera Trainee:
Brian S. Osmond
Casting:
Howard Feuer
Color Timer:
David Orr
Construction Coordinator:
S. Bruce Wineinger
Continuity:
Mary A. Kelly
Costume Design:
Colleen Atwood
Costume Supervisor:
Hartsell Taylor
Craft Service:
Richard Fishwick
Dialogue Editor:
Marissa Littlefield
Fred Rosenberg
Philip Stockton
Jeffrey Stern
Director:
Jonathan Demme
Director of Photography:
Tak Fujimoto
Dolby Consultant:
Robert F. Warren
Dolly Grip:
John Donohue
Editor:
Craig McKay
Electrician:
Michael F. Burke
Executive In Charge Of Production:
Larry Jackson
Executive Producer:
Gary Goetzman
First Assistant Camera:
Bruce MacCallum
First Assistant Editor:
Colleen Sharp
Foley Artist:
Marko Costanzo
Foley Editor:
Steven Visscher
Frank Kern
Gaffer:
Russell Engels
Grip:
Richard Aversa
Hair Designer:
Alan D'Angerio
Head of Production:
Jonathan Sheinberg
Key Grip:
Billy Miller
Key Scenic Artist:
Frederika Gray
Location Coordinator:
John Crowder
Location Manager:
Neri Kyle Tannenbaum
Location Scout:
Brian Hartman
Makeup Artist:
Allen Weisinger
Makeup Effects:
Todd Kleitsch
Makeup Effects Designer:
Carl Fullerton
Neal Martz
Music Coordinator:
Dana Sano
Music Editor:
Suzana Peric
Music Supervisor:
Sharon Boyle
Novel:
Thomas Harris
Orchestrator:
Homer Denison
Original Music Composer:
Howard Shore
Painter:
Chris Call
Playback Singer:
Natasha Kinne
Police Consultant:
Walt Oggier
Post Production Assistant:
Trish Breganti
Post Production Supervisor:
Marshall Persinger
Producer:
Ron Bozman
Edward Saxon
Kenneth Utt
Production Assistant:
Jeffrey T. Barabe
Production Design:
Kristi Zea
Production Intern:
Matthew Myers
Production Sound Mixer:
Chris Newman
Property Master:
Ann Miller
Scenic Artist:
Eileen Garrigan
Screenplay:
Ted Tally
Second Assistant Camera:
Tom O'Halloran
Second Assistant Director:
Kyle McCarthy
Second Second Assistant Director:
Gina Maria Leonetti
Set Decoration:
Karen O'Hara
Set Dresser:
Kenneth Turek
Set Dressing Artist:
Ed Lohrer III
Set Production Assistant:
Catherine Marie McDonald
Sound Designer:
Skip Lievsay
Sound Re-Recording Mixer:
Tom Fleischman
Sound Recordist:
John Fundus
Special Effects:
Dwight Benjamin-Creel
Standby Painter:
C.A. Kelly
Steadicam Operator:
Larry McConkey
Still Photographer:
Ken Regan
Storyboard Artist:
Kalina Ivanov
Stunt Coordinator:
John Robotham
Stunts:
Walter Robles
George P. Wilbur
Michael Cassidy
Thanks:
James Deeth
Transportation Captain:
John Leonidas
Transportation Co-Captain:
Dennis Radesky
Transportation Coordinator:
Denny Caira
Unit Production Manager:
Kenneth Utt
Unit Publicist:
Judy Arthur
Wardrobe Assistant:
Benjamin Wilson
Wardrobe Supervisor:
Mark Burchard
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.