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Adelle Lutz (b. 1948)

Birthplace:
New York City, New York, USA

Born:
November 13, 1948

Biography from TheMovieDB

Adelle Lutz (born November 13, 1948) is an American artist, designer and actress, most known for work using unconventional materials and strategies to explore clothing as a communicative medium. She first gained attention for the surreal "Urban Camouflage" costumes featured in David Byrne's film True Stories (1986). In addition to her costume design, Lutz worked as an actress between 1986 and 1995. Her first role was a supporting one as a spirit haunting her former lover's wife in an episode of Alfred Hitchcock Presents ("The Canary Sedan"). She also had supporting roles in Tim Burton's Beetlejuice (1988), Wim Wenders's Until the End of the World (1991), and Dead Funny (1994) with Elizabeth Peña and Andrew McCarthy.

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Additional information:

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Film Performances

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Film Production

Costume Design:
1986  True Stories
1987  Making Mr. Right
1988  Checking Out
1998  Lulu on the Bridge
2007  The Inner Life of Martin Frost

Director:
1986  True Stories
1987  Making Mr. Right
1988  Checking Out
1990  Red Hot + Blue: A Tribute to Cole Porter
1998  Lulu on the Bridge
2007  The Inner Life of Martin Frost

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.