A work in constant progress (and occasional regress).
Birthplace:
Covent Garden, London, England, UK
Born:
March 1, 1987
Victoria Emslie is a British stage, television and film actress, best known for her roles in Downton Abbey, The Theory of Everything, The Frankenstein Chronicles, The Danish Girl (film), Grace (TV series) and the TV adaption of 12 Monkeys. She has a Masters in French and Arabic from the University of St. Andrews Emslie choose these languages as an opportunity to live abroad and travel. She then studied MA Acting For Screen at Royal Central School of Speech and Drama. Through her activism with Time’s Up UK and ERA 50:50, she bootstrapped Primetime at Cannes Film Festival in 2019. This global organisation helps the Entertainment Industry find and hire more women and non-binary professionals behind the camera. Primetime spans 75+ countries, partnering with leaders like BAFTA and the Geena Davis Institute. Victoria’s “Primetime Pledges” initiative facilitated high-end job offers and RTS award wins. A multiply neurodivergent founder, Victoria created a £40k filmmaking grant with major industry deals and is currently producing five films from her community. Primetime emphasises accessibility and inclusion, with features like self-identification for enhanced visibility. Recognised as "Shaker of the Year" by industry leaders, Victoria is a multidisciplinary artist and also serves on BAFTA’s Disability Advisory Group.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.