A work in constant progress (and occasional regress).
Birthplace:
London, England, UK
Born:
June 26, 1977
Jake Roberts is an English film editor. He is best known for his works on the films Citadel (2012), Starred Up (2013), The Riot Club (2014), and Brooklyn (2015). For Hell or High Water (2016), Roberts was nominated (among several honours) for an Independent Spirit Award and the Academy Award for Best Film Editing at the 89th Academy Awards. Description above from the Wikipedia article Jake Roberts, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Editor:
2010 Donkeys
2011 Perfect Sense
2014 Starred Up
2014 The Riot Club
2015 Brooklyn
2015 Pressure
2016 Hell or High Water
2016 Trespass Against Us
2017 The Hitman's Bodyguard
2018 Outlaw King
2022 Men
2022 You Resemble Me
2024 Alien: Romulus
2024 Civil War
2026 28 Years Later Part 2: The Bone Temple
Editor:
2020 Devs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.