A work in constant progress (and occasional regress).
Birthplace:
Lakewood, Ohio, USA
Born:
July 5, 1960
Key Makeup Artist:
2019 Native Son
2020 All the Bright Places
Makeup Artist:
2015 Criminal Activities
2018 White Boy Rick
2019 Native Son
2020 All the Bright Places
2021 Judas and the Black Messiah
2021 No One Gets Out Alive
2022 A Man Called Otto
2022 White Noise
2023 Scavengers
2025 Shelby Oaks
Makeup Department Head:
2015 Criminal Activities
2018 White Boy Rick
2019 Native Son
2020 All the Bright Places
2021 Judas and the Black Messiah
2021 No One Gets Out Alive
2022 A Man Called Otto
2022 White Noise
2023 Manodrome
2023 Scavengers
2025 Shelby Oaks
Makeup Effects:
1998 The Faculty
2014 Tusk
2015 Criminal Activities
2017 Aftermath
2018 White Boy Rick
2019 Native Son
2020 All the Bright Places
2021 Judas and the Black Messiah
2021 No One Gets Out Alive
2022 A Man Called Otto
2022 White Noise
2023 Manodrome
2023 Scavengers
2024 Hauntology
2025 Shelby Oaks
Makeup Effects Designer:
1998 The Faculty
2014 Tusk
2015 Criminal Activities
2017 Aftermath
2018 White Boy Rick
2019 Native Son
2020 All the Bright Places
2021 Judas and the Black Messiah
2021 No One Gets Out Alive
2022 A Man Called Otto
2022 White Noise
2023 Manodrome
2023 Scavengers
2024 Hauntology
2025 Shelby Oaks
Makeup Supervisor:
1998 The Faculty
2014 Tusk
2015 Criminal Activities
2016 Don't Kill It
2017 Aftermath
2017 The Bye Bye Man
2018 White Boy Rick
2019 Native Son
2020 All the Bright Places
2021 Judas and the Black Messiah
2021 No One Gets Out Alive
2022 A Man Called Otto
2022 White Noise
2023 Manodrome
2023 Scavengers
2024 Hauntology
2025 Shelby Oaks
Props:
1998 The Faculty
2014 Tusk
2015 Criminal Activities
2016 Don't Kill It
2017 Aftermath
2017 The Bye Bye Man
2018 White Boy Rick
2019 Native Son
2020 All the Bright Places
2021 Judas and the Black Messiah
2021 No One Gets Out Alive
2022 A Man Called Otto
2022 White Noise
2023 Manodrome
2023 Scavengers
2024 Hauntology
2025 Shelby Oaks
2025 The Alto Knights
Special Effects Makeup Artist:
1996 Mars Attacks!
1998 The Faculty
2001 Thir13en Ghosts
2004 Skinned Deep
2014 Tusk
2015 Criminal Activities
2016 Don't Kill It
2017 Aftermath
2017 The Bye Bye Man
2018 White Boy Rick
2019 I See You
2019 Native Son
2019 Them That Follow
2020 All the Bright Places
2020 Her Name Was Christa
2020 Jiu Jitsu
2021 Judas and the Black Messiah
2021 No One Gets Out Alive
2022 A Man Called Otto
2022 White Noise
2023 Manodrome
2023 Scavengers
2024 Death Streamer
2024 Hauntology
2024 Quadrant
2025 Shelby Oaks
2025 The Alto Knights
Visual Effects:
1996 Mars Attacks!
1998 The Faculty
2001 Thir13en Ghosts
2004 Skinned Deep
2014 Tusk
2015 Criminal Activities
2016 Don't Kill It
2017 Aftermath
2017 The Bye Bye Man
2018 White Boy Rick
2019 I See You
2019 Native Son
2019 Them That Follow
2020 All the Bright Places
2020 Her Name Was Christa
2020 Jiu Jitsu
2021 Judas and the Black Messiah
2021 No One Gets Out Alive
2022 A Man Called Otto
2022 White Noise
2023 Manodrome
2023 Scavengers
2024 Death Streamer
2024 Hauntology
2024 Quadrant
2025 Shelby Oaks
2025 The Alto Knights
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.