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Film Performances

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Film Production

Art Direction:
1993  Era Uma Vez no Tibet
1995  The Interview
1999  Castelo Rá-Tim-Bum: O Filme
2002  Uma Onda no Ar
2003  Carandiru
2003  God Is Brazilian
2005  Cafundó
2007  Ó Paí, Ó: Look at This
2014  Men Are from Mars... And That's Where I'm Going!
2015  De Onde Eu Te Vejo
2015  Luz, Câmera, 50 Anos: Ó Paí, Ó - O Filme
2018  Express Kidnapping
2018  O Homem Perfeito
2019  O Amor Dá Trabalho
2023  O Amor e a Peste

Production Design:
1993  Era Uma Vez no Tibet
1995  The Interview
1998  Love and Co.
1999  Castelo Rá-Tim-Bum: O Filme
2002  Uma Onda no Ar
2003  Carandiru
2003  God Is Brazilian
2005  Cafundó
2007  Ó Paí, Ó: Look at This
2014  Men Are from Mars... And That's Where I'm Going!
2015  De Onde Eu Te Vejo
2015  Luz, Câmera, 50 Anos: Ó Paí, Ó - O Filme
2018  Express Kidnapping
2018  O Homem Perfeito
2019  O Amor Dá Trabalho
2023  O Amor e a Peste

Set Decoration:
1993  Era Uma Vez no Tibet
1995  The Interview
1997  The Oyster and the Wind
1998  Love and Co.
1999  Castelo Rá-Tim-Bum: O Filme
2002  Uma Onda no Ar
2003  Carandiru
2003  God Is Brazilian
2005  Cafundó
2007  Ó Paí, Ó: Look at This
2014  Men Are from Mars... And That's Where I'm Going!
2015  De Onde Eu Te Vejo
2015  Luz, Câmera, 50 Anos: Ó Paí, Ó - O Filme
2018  Express Kidnapping
2018  O Homem Perfeito
2019  O Amor Dá Trabalho
2023  O Amor e a Peste

Set Designer:
1993  Era Uma Vez no Tibet
1994  Lamarca
1995  The Interview
1997  The Oyster and the Wind
1998  Love and Co.
1999  Castelo Rá-Tim-Bum: O Filme
2002  Uma Onda no Ar
2003  Carandiru
2003  God Is Brazilian
2005  Cafundó
2005  What Is It Worth?
2007  Ó Paí, Ó: Look at This
2014  Men Are from Mars... And That's Where I'm Going!
2015  De Onde Eu Te Vejo
2015  Luz, Câmera, 50 Anos: Ó Paí, Ó - O Filme
2018  Express Kidnapping
2018  O Homem Perfeito
2019  O Amor Dá Trabalho
2023  O Amor e a Peste

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.