A work in constant progress (and occasional regress).
Alias:
Alan Byer
Location Sound Mixer:
1982 Alone in the Dark
Production Sound Mixer:
1982 Alone in the Dark
1987 Raising Arizona
1990 Miller's Crossing
1991 Barton Fink
1994 The Hudsucker Proxy
1996 Daylight
1998 The Big Lebowski
1999 The Bone Collector
2001 A Beautiful Mind
2006 The Pink Panther
Sound:
1982 Alone in the Dark
1987 Raising Arizona
1990 Miller's Crossing
1991 Barton Fink
1994 The Hudsucker Proxy
1996 Daylight
1998 The Big Lebowski
1999 18 Shades of Dust
1999 The Bone Collector
2001 A Beautiful Mind
2006 The Pink Panther
Sound Mixer:
1979 Cocaine Cowboys
1982 Alone in the Dark
1984 Tiger Town
1987 Raising Arizona
1988 Biloxi Blues
1989 Family Business
1990 Miller's Crossing
1991 Barton Fink
1994 The Hudsucker Proxy
1995 Billy Madison
1995 Citizen X
1996 Basquiat
1996 Daylight
1996 Fargo
1997 Cop Land
1998 The Big Lebowski
1998 The Siege
1999 18 Shades of Dust
1999 The Bone Collector
1999 The Sixth Sense
2000 Unbreakable
2001 A Beautiful Mind
2001 Blow
2002 Maid in Manhattan
2005 The Squid and the Whale
2006 Last Holiday
2006 The Hoax
2006 The Pink Panther
2007 The Nanny Diaries
Sound Re-Recording Mixer:
1978 What Can I Tell You
1979 Cocaine Cowboys
1982 Alone in the Dark
1984 Tiger Town
1987 Raising Arizona
1988 Biloxi Blues
1989 Family Business
1990 Miller's Crossing
1991 Barton Fink
1994 The Hudsucker Proxy
1995 Billy Madison
1995 Citizen X
1996 Basquiat
1996 Daylight
1996 Fargo
1997 Cop Land
1998 The Big Lebowski
1998 The Siege
1999 18 Shades of Dust
1999 The Bone Collector
1999 The Sixth Sense
2000 Unbreakable
2001 A Beautiful Mind
2001 Blow
2002 Maid in Manhattan
2005 The Squid and the Whale
2006 Last Holiday
2006 The Hoax
2006 The Pink Panther
2007 The Nanny Diaries
Sound Mixer:
2014 The Leftovers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.