A work in constant progress (and occasional regress).
Born:
December 18, 1951
Michael Tarn (born December 18, 1951) is a British actor. He is best known for playing Pete in Stanley Kubrick's film A Clockwork Orange (1971). Tarn was cast as Pete in A Clockwork Orange and was the only actor in the gang who was a true teenager (16–17 years old) at the time of production, the others being in their mid- to late 20s. Subsequently, he appeared in John Mackenzie's film Made (1972), and had lead roles in It's A Lovely Day Tomorrow, directed by John Goldschmidt, and the name role in Zigger Zagger, directed by Ron Smedley. After guest appearances in a succession of TV series he was cast in Where There's Brass for Yorkshire Television. Unknown to him his then agent had negotiated him out of the series and his career as a film and TV actor was effectively over. He made a few brief appearances over the next 20 years including Crimewatch, The Knock, and the final one in 2000 when he played the part of Vic in Shooters for Coolbean Productions, directed by Colin Teague and written by and starred in by Louis Dempsey and Terence Howard with Emily Watson, Gerard Butler, amongst a host of other well-known British actors. Amongst his theatre credits included spells with both the RSC and National Theatre Companies, with critically acclaimed parts as Rick in "Sticks and Bones" with Peter Weller, Rex in "City Sugar" by Stephen Poliakoff at the Comedy Theatre with Adam Faith. Jaques in "Jaques and His Master" by Milan Kundera, and Sam in "Crossing Delancey" by Susan Sandler. His more recent years have been taken up as a freelance director and drama practitioner, and he currently lives in Spain.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.