A work in constant progress (and occasional regress).
Alias:
Lou Cerborino
Dialogue Editor:
1995 Apollo 13
1996 Ransom
1996 Striptease
2000 Mission to Mars
2001 A Beautiful Mind
First Assistant Editor:
1995 Apollo 13
1996 Ransom
1996 Striptease
1996 Thinner
2000 Mission to Mars
2001 A Beautiful Mind
Music Editor:
1985 Desperately Seeking Susan
1995 Apollo 13
1996 Ransom
1996 Striptease
1996 Thinner
2000 Mission to Mars
2001 A Beautiful Mind
Sound Designer:
1985 Desperately Seeking Susan
1992 Far and Away
1995 Apollo 13
1996 Ransom
1996 Striptease
1996 Thinner
2000 Mission to Mars
2001 A Beautiful Mind
Sound Editor:
1978 Siege
1979 Starting Over
1981 Reds
1985 Desperately Seeking Susan
1986 The Morning After
1992 Big Girls Don't Cry... They Get Even
1992 Far and Away
1993 The Good Son
1995 Apollo 13
1996 Ransom
1996 Striptease
1996 Thinner
2000 Mission to Mars
2001 A Beautiful Mind
Sound Effects Editor:
1978 Siege
1979 Last Embrace
1979 Starting Over
1981 Reds
1985 Desperately Seeking Susan
1986 The Morning After
1992 Big Girls Don't Cry... They Get Even
1992 Far and Away
1993 The Good Son
1995 Apollo 13
1996 Ransom
1996 Striptease
1996 Thinner
2000 Mission to Mars
2001 A Beautiful Mind
Supervising Sound Editor:
1978 Siege
1979 Last Embrace
1979 Starting Over
1981 Reds
1984 Misunderstood
1985 Desperately Seeking Susan
1986 The Morning After
1987 White Water Summer
1992 Big Girls Don't Cry... They Get Even
1992 Far and Away
1992 Looping
1993 The Good Son
1995 Apollo 13
1995 Party Girl
1996 Ransom
1996 Striptease
1996 Thinner
2000 Mission to Mars
2001 A Beautiful Mind
Sound Director:
1977 Mario Puzo's The Godfather: The Complete Novel for Television
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.