A work in constant progress (and occasional regress).
Release Date:
September 1, 2000
Original Title:
Leo
Genres:
Drama | Thriller
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 86
Salva working as security guard in an industrial estate on the outskirts of Madrid. There he meets Leo, a girl who makes a living collecting cardboard. Gradually Salva be falling in love for the young, but the life of Leo holds a dark past.
Assistant Camera:
Alicia Beladiez
Gustavo de la Fuente
Assistant Decorator:
Inés Aparicio
Quique Gutiérrez
Assistant Director:
Álvaro de Armiñán
Assistant Editor:
Rosa Ortiz
Assistant Production Manager:
Eduardo Román Esteve
Boom Operator:
Quico Sánchez
Camera Operator:
Tito Carlón
Casting:
Carmen Utrilla
Ana Jorba
Cinematography:
Tomàs Pladevall
Costume Design:
Maiki Marín
Director:
José Luis Borau
Editor:
José Salcedo
Electrician:
Josu Cejuela
Executive Producer:
José Luis Garci
Foley Recordist:
Patrick Ghislain
Gaffer:
José Luis Gómez
Grip:
Eusebio López Cano
Hairstylist:
Paco Rodríguez Frías
Leadman:
Michael J. Wheeler
Makeup & Hair:
Ana Ribacoba
Music:
Álvaro de Cárdenas
José Vinader
Producer:
José Luis Borau
Production Coordinator:
Pilar Sánchez
Production Design:
Víctor Molero
Production Manager:
Pizca Gutiérrez
Props:
Mamen Hernández
Salvador López
Tino Torrescusa
Second Assistant Camera:
Roberto Trujillo
Second Assistant Director:
Marco Besas
Sound:
Albert Manera
Iván Mayoral
José Vinader
Sound Editor:
Pelayo Gutiérrez
Sound Effects:
Julien Naudin
Sound Mixer:
José Antonio Bermúdez
Still Photographer:
Teresa Isasi
Video Assist Operator:
Arturo Briones
Wardrobe Assistant:
Graciela Rubio
Writer:
José Luis Borau
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.