A work in constant progress (and occasional regress).
Music:
2000 Leo
Recording Supervision:
2000 Leo
2009 Imago Mortis
Score Engineer:
1986 El rey y la reina
2000 Leo
2002 El balancín de Iván
2009 Imago Mortis
2012 Todo es silencio
Scoring Mixer:
1986 El rey y la reina
2000 Leo
2002 El balancín de Iván
2009 Imago Mortis
2012 Todo es silencio
2023 ¡Por nosotras!
Sound:
1985 Crimen en familia
1985 Star Knight
1986 El rey y la reina
1990 Letters from Alou
1997 Open Your Eyes
2000 Leo
2000 Sabotage!!
2002 El balancín de Iván
2009 Imago Mortis
2012 Todo es silencio
2023 ¡Por nosotras!
Sound Engineer:
1982 Entre paréntesis
1985 Crimen en familia
1985 Star Knight
1986 El rey y la reina
1990 Letters from Alou
1997 Open Your Eyes
2000 Leo
2000 Sabotage!!
2001 Son of the Bride
2002 El balancín de Iván
2009 Imago Mortis
2012 Todo es silencio
2019 Madrid 2120
2023 ¡Por nosotras!
Sound Mixer:
1982 Entre paréntesis
1985 Crimen en familia
1985 Star Knight
1986 El rey y la reina
1987 The Enchanted Forest
1990 Letters from Alou
1997 Open Your Eyes
2000 Leo
2000 Sabotage!!
2001 Son of the Bride
2002 El balancín de Iván
2002 Second Name
2009 Imago Mortis
2012 Todo es silencio
2018 A Twelve-Year Night
2019 Madrid 2120
2023 María Casares, a muller que viviu mil vidas
2023 ¡Por nosotras!
Sound Recordist:
1982 Entre paréntesis
1985 Crimen en familia
1985 Star Knight
1986 El rey y la reina
1987 The Enchanted Forest
1990 Letters from Alou
1997 Open Your Eyes
2000 Leo
2000 Sabotage!!
2001 Son of the Bride
2002 El balancín de Iván
2002 Second Name
2009 Imago Mortis
2012 Todo es silencio
2018 A Twelve-Year Night
2019 Madrid 2120
2023 María Casares, a muller que viviu mil vidas
2023 ¡Por nosotras!
Sound:
2020 Colgar las alas
Sound Mixer:
2019 ETA, el final del silencio
2020 Colgar las alas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.