A work in constant progress (and occasional regress).
Birthplace:
Zaragoza, Aragón, Spain
Born:
August 8, 1929
Died:
November 23, 2012
Spanish film director and producer, born in Zaragoza. He studied law in his hometown and debuted as a film critic in the newspaper El Heraldo de Aragón. In Madrid, he joined the Instituto de Investigaciones y Experiencias Cinematográficas. He exerted great influence on the medium from his teaching at the Escuela Oficial de Cinematografía. In 1967 he founded the production company El Imán, Cine y Televisión, with which he has financed his own projects and those of other filmmakers. Of his personal work, two films stand out: Furtivos (1975), Golden Shell at the San Sebastian Festival and a great success for its opposition to the limits of censorship at the beginning of the Spanish Transition, and Leo (2000), which won the Goya for best director. However, both his initial commissions, such as the spaghetti western Brandy (1964) and the crime film Crimen de doble filo (1965), and the controversial later films Tata mía (1986) and Niño Nadie (1996), have had little repercussion. Between 1994 and 1998 he was president of the Academia de las Artes y las Ciencias Cinematográficas de España (Spanish Academy of Motion Picture Arts and Sciences). In 2001 he was elected full member of the Real Academia de Bellas Artes de San Fernando and in 2002 he was awarded the Premio Nacional de Cinematografía.
Assistant Director:
1972 My Dearest Senorita
Director:
1960 En el río
1964 Ride and Kill
1965 Double Edged Crime
1972 My Dearest Senorita
1975 Hay que matar a B.
1975 Poachers
1979 La Sabina
1984 On the Line
1986 Tata Mía
1997 Niño nadie
2000 Leo
Original Film Writer:
1960 En el río
1964 Ride and Kill
1965 Double Edged Crime
1972 My Dearest Senorita
1975 Hay que matar a B.
1975 Poachers
1979 La Sabina
1984 On the Line
1986 Tata Mía
1997 Niño nadie
2000 Leo
???? My Dearest Señorita
Producer:
1960 En el río
1964 Ride and Kill
1965 Double Edged Crime
1970 Estado de sitio
1970 Un, dos, tres, al escondite inglés
1972 My Dearest Senorita
1975 Hay que matar a B.
1975 Poachers
1977 In Memoriam
1979 La Sabina
1984 On the Line
1986 Tata Mía
1997 Niño nadie
2000 Leo
2001 Anna's Summer
???? My Dearest Señorita
Screenplay:
1960 En el río
1964 Ride and Kill
1965 Double Edged Crime
1970 Estado de sitio
1970 Un, dos, tres, al escondite inglés
1972 My Dearest Senorita
1975 Hay que matar a B.
1975 Poachers
1977 El monosabio
1977 In Memoriam
1979 La Sabina
1984 On the Line
1986 Tata Mía
1997 Niño nadie
2000 Leo
2001 Anna's Summer
???? My Dearest Señorita
Writer:
1960 En el río
1964 Ride and Kill
1965 Double Edged Crime
1970 Estado de sitio
1970 Un, dos, tres, al escondite inglés
1972 My Dearest Senorita
1975 Hay que matar a B.
1975 Poachers
1977 Black Litter
1977 El monosabio
1977 In Memoriam
1979 La Sabina
1984 On the Line
1986 Tata Mía
1997 Niño nadie
2000 Leo
2001 Anna's Summer
???? My Dearest Señorita
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.