A work in constant progress (and occasional regress).
Release Date:
June 8, 2012
Original Title:
Colosio: El Asesinato
Genres:
Crime | Drama | Thriller
Production Companies:
Alebrije Producciones
La Femme Endormie
Oberón Cinematográfica
Proyecto Gauguin
Udachi Productions
Production Countries:
Colombia | France | Mexico | Spain
Ratings / Certifications:
MX: C
Runtime: 100
It's 1994 in Mexico, the nation was witnessing a turbulent year since its beginnings. An indigenous rebellion shakes the country. Three months later, the ruling party's presidential candidate is brutally murdered during a rally in Tijuana. The country is concerned. Nobody knows who's behind this event, it all points to a conspiracy. Andrés Vázquez, an intelligence expert, is commissioned to lead a secret investigation parallel to the official government issued one. But another expert agent, el Seco, has received orders to wipe out all witnesses and get rid of the evidence surrounding the candidate's murder. As Andrés begins putting the pieces of this intricate puzzle together and comes closer to the truth, he realizes he's also putting his life and that of his loved ones in peril.
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Additional Photography:
Vidblaín Balvás
Art Department Coordinator:
Barbara Horcasitas
Assistant Director:
Erik Baeza
Associate Producer:
Miguel Necoechea
Camera Operator:
Cristian Rodríguez
Casting:
Barbarella Pardo
Co-Producer:
Emilio Maillé
Co-Writer:
Miguel Necoechea
Consulting Producer:
Iram Collantes
Director:
Carlos Bolado
Director of Photography:
Andrés León Becker
Editor:
Francisco X. Rivera
Carlos Bolado
Luciana Jauffred Gorostiza
Executive Producer:
Mónica Lozano
Makeup Designer:
Alfredo Mora
Music:
Dan Zlotnik
Music Supervisor:
Herminio Gutiérrez
Original Music Composer:
Pascual Reyes
Other:
Armando Patiño
Producer:
Hugo Rodríguez
Production Design:
Sandra Cabriada
Public Relations:
Beto Cohen
Second Assistant Director:
Nadia Ayala Tabachnik
Stunt Coordinator:
Rafael Valdez
Stunts:
Hugo Aguilera
Odin Ayala
Unit Manager:
Aura Santamaría
Writer:
Carlos Bolado
Hugo Rodríguez
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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