A work in constant progress (and occasional regress).
Alias:
José María Yazpik
José Mª Yazpik
Birthplace:
Mexico City, Mexico
Born:
November 30, 1970
José María Yazpik (born November 13, 1970) is a Mexican film and television actor. Yazpik was born in Mexico City in the bosom of a wealthy family, the son of a successful gynecologist, Dr. Jose Maria Meza, and Cristina Yazpik. His first acting job came from a friend of his father, who produced the TV movie The brute with the angel of death. He moved to Mexico City to study at CEA of Televisa. At the CEA he studied with future celebrities like Arath de la Torre, Fabián Corres and Eduardo Rill. Upon graduating he was offered minor roles in youth soap operas on Televisa, which he wanted to refuse, however the exclusive contract with the station forced him to accept all the roles he was offered, and was additionally punished with two months without pay.He received his first major role on television in the soap opera The Dove in 1995, produced by José Rendón, which stopped production because of the tragic death of its protagonist, actor Gerardo Hemmer. The following year he participated in his second telenovela, Song of Love, produced by Luis de Llano Macedo, and in the film Última llamada, directed by Carlos Garcia Agraz. In 1997 his career began to take flight with interests in television increasingly important, playing the villain role of youth in telenovelas Pueblo chico, infierno grandeand Ángela, both produced by José Alberto Castro.
Associate Producer:
2017 Everybody Loves Somebody
Director:
2017 Everybody Loves Somebody
2019 Powder
Executive Producer:
2017 Everybody Loves Somebody
2019 Powder
Screenplay:
2017 Everybody Loves Somebody
2019 Powder
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.