A work in constant progress (and occasional regress).
Assistant Director:
2020 Contar el amor
Director:
2020 Contar el amor
???? Nia
Editor:
2010 If you Drive at Night try to Have Company
2011 The Cinema Hold Up
2011 Vacant Spaces
2012 Colosio
2013 Cinco de Mayo: The Battle
2013 Inertia
2013 Misión W2M
2014 Batallas Latentes
2015 She's Ramona
2016 The Chosen
2018 Black Mexicans
2019 Birdwatching
2020 Contar el amor
2022 Celeste Soledad
???? Nia
Post Production Supervisor:
2007 My Life Inside
2010 If you Drive at Night try to Have Company
2011 The Cinema Hold Up
2011 Vacant Spaces
2012 Colosio
2013 Cinco de Mayo: The Battle
2013 Inertia
2013 Misión W2M
2014 Batallas Latentes
2015 She's Ramona
2016 The Black Legend of Mexican Cinema
2016 The Chosen
2018 Black Mexicans
2019 Birdwatching
2020 Contar el amor
2021 Nudo Mixteco
2022 Celeste Soledad
???? Nia
Screenplay:
2007 My Life Inside
2010 If you Drive at Night try to Have Company
2011 The Cinema Hold Up
2011 Vacant Spaces
2012 Colosio
2013 Cinco de Mayo: The Battle
2013 Inertia
2013 Misión W2M
2014 Batallas Latentes
2015 She's Ramona
2016 The Black Legend of Mexican Cinema
2016 The Chosen
2018 Black Mexicans
2019 Birdwatching
2020 Contar el amor
2021 Nudo Mixteco
2022 Celeste Soledad
???? Nia
Second Unit Director:
2006 La invención de Morel
2007 My Life Inside
2010 If you Drive at Night try to Have Company
2011 The Cinema Hold Up
2011 Vacant Spaces
2012 Colosio
2013 Cinco de Mayo: The Battle
2013 Inertia
2013 Misión W2M
2014 Batallas Latentes
2015 She's Ramona
2016 The Black Legend of Mexican Cinema
2016 The Chosen
2018 Black Mexicans
2019 Birdwatching
2020 Contar el amor
2021 Nudo Mixteco
2022 Celeste Soledad
???? Nia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.