A work in constant progress (and occasional regress).
Release Date:
September 8, 1970
Original Title:
Krajobraz po bitwie
Alternate Titles:
Landscape After Battle
Landskap etter krig
Genres:
Drama
Production Companies:
Zespół Filmowy "Wektor"
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 109
Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.
Assistant Camera:
Franciszek Łokaj
Jacek Stachlewski
Eugeniusz Maciaszek
Assistant Director:
Jerzy Obłamski
Krystyna Grochowicz
Assistant Editor:
Irena Jasińska
Assistant Makeup Artist:
Irena Czerwińska
Assistant Production Design:
Wacław Jesionowski
Zdzisław Roliński
Assistant Production Manager:
Zbigniew Ronert
Janusz Szela
Wiesława Borecka
Janina Krassowska
Assistant Set Decoration:
Wojciech Filipowicz
Choreographer:
Marek Gołębiowski
Costume Design:
Jerzy Szeski
Renata Wlasow
Director:
Andrzej Wajda
Director of Photography:
Zygmunt Samosiuk
Editor:
Halina Prugar-Ketling
First Assistant Director:
Jan Budkiewicz
Graphic Designer:
Józef Mroszczak
Makeup Artist:
Halina Ber
Original Music Composer:
Zygmunt Konieczny
Production Design:
Jerzy Szeski
Production Manager:
Barbara Pec-Ślesicka
Screenplay:
Andrzej Wajda
Andrzej Brzozowski
Set Decoration:
Leonard Mokicz
Short Story:
Tadeusz Borowski
Sound:
Wiesława Dembińska
Sound Assistant:
Kazimierz Kucharski
Still Photographer:
Renata Pajchel
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.