A work in constant progress (and occasional regress).
Alias:
Богдан Томашевский
Birthplace:
Warsaw, Poland
Born:
August 10, 1921
Died:
February 27, 2015
Bohdan Tomaszewski was a Polish sports journalist, tennis player, sports commentator, and author of several sports books. Called a "legend of Polish sports journalism", he was a member of the Polish Writers Association, and, with his son Tomasz, worked for the television station Polsat Sport. Tomaszewski attended Warsaw's Stanisław Staszic High School, and began playing tennis in 1936 in Legia Warszawa. He participated in the Warsaw Uprising, as a soldier of the Home Army (nom de guerre “Mały”). After the war, he worked in the Grand Hotel in Sopot, then moved to Szczecin, where he worked as a journalist in a local daily, also playing lawn tennis in a team SKT Szczecin. Later on, Tomaszewski began working for Express Wieczorny, and then moved to TV and radio. His radio debut took place in early May 1947, when he commented the Davis Cup match Poland – Great Britain in Warsaw. Between 1956 and 1980, he commented on twelve Olympic Games, both summer and winter. During the Martial law in Poland, Tomaszewski refused to cooperate with the regime-sponsored Polish Radio, and did not return to mass-media until 1989.
Dialogue:
1969 Czekam w Monte Carlo
Screenplay:
1967 Boxer
1969 Czekam w Monte Carlo
Writer:
1955 Magical Bicycle
1967 Boxer
1969 Czekam w Monte Carlo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.