Leonard Mokicz (1906-1980)

Gallery Unavailable

Birthplace:
Porchów, Polska

Born:
February 19, 1906

Died:
July 7, 1980

Additional information:

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Assistant Production Design:
1958  The Eighth Day of the Week
1958  The Noose
1959  Lotna
1959  Signals
1960  One Room Tenants
1961  Birth Certificate
1961  It Started Yesterday
1962  Mandrin
1963  Mrs. Hanka's Diary
1964  Avatar: The Exchange of Souls
1965  Blue Room
1966  Then There Will Be Silence
1966  Zejście do piekła
1968  When Love Was a Crime
1970  Heaven on Earth
1970  Szkice warszawskie

Costume Design:
1958  The Eighth Day of the Week
1958  The Noose
1959  Lotna
1959  Signals
1960  One Room Tenants
1961  Birth Certificate
1961  It Started Yesterday
1962  Mandrin
1963  Mrs. Hanka's Diary
1964  Avatar: The Exchange of Souls
1965  Blue Room
1966  Barrier
1966  Then There Will Be Silence
1966  Zejście do piekła
1968  When Love Was a Crime
1970  Heaven on Earth
1970  Szkice warszawskie

Decorator:
1958  The Eighth Day of the Week
1958  The Noose
1959  Lotna
1959  Signals
1960  One Room Tenants
1961  Birth Certificate
1961  It Started Yesterday
1962  Mandrin
1963  Mrs. Hanka's Diary
1964  Avatar: The Exchange of Souls
1965  Blue Room
1966  Barrier
1966  Then There Will Be Silence
1966  Zejście do piekła
1968  When Love Was a Crime
1970  Heaven on Earth
1970  Szkice warszawskie
1978  Antyki

Interior Designer:
1958  The Eighth Day of the Week
1958  The Noose
1959  Lotna
1959  Signals
1960  One Room Tenants
1961  Birth Certificate
1961  It Started Yesterday
1962  Mandrin
1963  Mrs. Hanka's Diary
1964  Avatar: The Exchange of Souls
1965  Blue Room
1966  Barrier
1966  Then There Will Be Silence
1966  Zejście do piekła
1968  When Love Was a Crime
1970  Heaven on Earth
1970  Szkice warszawskie
1976  Mazepa
1978  Antyki

Production Design:
1958  The Eighth Day of the Week
1958  The Noose
1959  Lotna
1959  Signals
1960  One Room Tenants
1961  Birth Certificate
1961  It Started Yesterday
1962  Mandrin
1963  Mrs. Hanka's Diary
1964  Avatar: The Exchange of Souls
1965  Blue Room
1965  The Moment of Peace
1966  Barrier
1966  Then There Will Be Silence
1966  Zejście do piekła
1968  When Love Was a Crime
1970  Heaven on Earth
1970  Szkice warszawskie
1976  Mazepa
1978  Antyki

Set Decoration:
1957  Kanal
1957  Spotkania
1957  Zemsta
1958  Farewells
1958  The Eighth Day of the Week
1958  The Noose
1959  Lotna
1959  Signals
1960  Bad Luck
1960  Decyzja
1960  One Room Tenants
1961  Birth Certificate
1961  Goodbye to the Past
1961  It Started Yesterday
1961  Samson
1961  Story of the Golden Boot
1962  Mandrin
1963  Good Sins
1963  Mrs. Hanka's Diary
1963  Passenger
1964  Avatar: The Exchange of Souls
1964  The Law and the Fist
1965  Blue Room
1965  The Moment of Peace
1965  Trzy kroki po ziemi
1966  Barrier
1966  Christmas Eve
1966  The Saragossa Manuscript
1966  Then There Will Be Silence
1966  Zejście do piekła
1967  Checkmate!
1967  The Black Dress
1967  The Lodger
1967  Zosya
1967  Śmierć w środkowym pokoju
1968  I Am Burning!
1968  The Siding
1968  When Love Was a Crime
1969  Colonel Wolodyjowski
1969  Venus of Ille
1970  Heaven on Earth
1970  Landscape After Battle
1970  Szkice warszawskie
1971  The Ring of Queen Ann
1974  The Deluge
1974  The Nest
1976  Mazepa
1976  The Leper
1978  Antyki

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.