A work in constant progress (and occasional regress).
Birthplace:
Toronto, Ontario, Canada
Born:
June 17, 1909
Died:
February 26, 2004
Ralph E. Winters (June 17, 1909 – February 26, 2004) was a Canadian-born film editor who became one of the leading figures of this field in the American industry. After beginning on a series of B movies in the early 1940s, including several in the Dr. Kildare series, his first major film was George Cukor's Victorian chiller Gaslight (1944). Winters won the Academy Award for Best Film Editing for King Solomon's Mines (1950) (shared with Conrad A. Nervig) and Ben-Hur (1959) (shared with John D. Dunning). He received four additional nominations: Quo Vadis (1951), Seven Brides for Seven Brothers (1954), The Great Race (1965) and Kotch (1971). Winters' other films included On the Town (1949), High Society (1956), Jailhouse Rock (1957) and The Thomas Crown Affair (1968). Winters had a notable collaboration with director Blake Edwards. Over 20 years, they collaborated on 12 films together, including The Pink Panther (1963), The Party (1968), 10 (1979) and Victor/Victoria (1982). His last film was the pirate epic Cutthroat Island in 1995. Winters had been elected to membership in the American Cinema Editors, and in 1991, Winters received the organization's career achievement award. His memoir, Some Cutting Remarks: Seventy Years a Film Editor, was published in 2001.
Editor:
1941 The People Vs. Dr. Kildare
1942 Dr. Gillespie's New Assistant
1942 Eyes in the Night
1942 Kid Glove Killer
1942 Mr. and Mrs. North
1942 The Affairs of Martha
1943 Cry 'Havoc'
1943 Young Ideas
1944 Gaslight
1944 The Thin Man Goes Home
1945 Our Vines Have Tender Grapes
1947 Killer McCoy
1947 The Romance of Rosy Ridge
1948 Hills of Home
1948 Tenth Avenue Angel
1949 Any Number Can Play
1949 Little Women
1949 On the Town
1950 King Solomon's Mines
1951 Quo Vadis
1953 Kiss Me Kate
1953 The Story of Three Loves
1953 Young Bess
1954 Executive Suite
1954 Seven Brides for Seven Brothers
1955 Jupiter's Darling
1955 Love Me or Leave Me
1956 High Society
1956 Tribute to a Bad Man
1957 Jailhouse Rock
1957 Man on Fire
1958 The Sheepman
1959 Ben-Hur
1960 BUtterfield 8
1961 Ada
1963 Dime with a Halo
1963 Soldier in the Rain
1963 The Pink Panther
1964 A Shot in the Dark
1965 The Great Race
1966 What Did You Do in the War, Daddy?
1967 Fitzwilly
1967 How to Succeed in Business Without Really Trying
1968 The Party
1968 The Thomas Crown Affair
1969 Gaily, Gaily
1970 The Hawaiians
1971 Kotch
1972 Avanti!
1972 The Carey Treatment
1973 The All-American Boy
1973 The Outfit
1974 Mr. Majestyk
1974 The Front Page
1974 The Spikes Gang
1976 King Kong
1977 Orca
1978 The Other Side of Hell
1979 10
1981 S.O.B.
1982 Victor/Victoria
1983 The Man Who Loved Women
1984 Micki + Maude
1986 Big Trouble
1986 Let's Get Harry
1993 Trouble Shooters: Trapped Beneath the Earth
1995 Cutthroat Island
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.