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Four Days Like Sunday (????) [N/A]

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Original Title:
Four Days Like Sunday

Genres:
Drama

Production Companies:
Film4 Productions
Flat Five Productions
See-Saw Films

Ratings / Certifications:
 N/A

Overview from TheMovieDB

Set in the mid 1990s, a 12-year-old Jane begins to rebel against her role as proxy-carer for her mother Sylvia, a recently divorced and ever so slightly fading Broadway diva. As Jane does her best to protect her mother from everything that threatens to disturb her delicate equilibrium, she moves quietly from childhood into something else-wiser, freer, and more alone

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Additional information:

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Performers

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Production

Co-Producer:
Rebecca Hall

Director:
Rebecca Hall

Executive Producer:
Simon Gillis
Victoria Belfrage
Farhana Bhula
Ollie Madden

Producer:
Iain Canning
Emile Sherman
Joanna Laurie

Writer:
Rebecca Hall

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.