Rebecca Hall (b. 1982)

Alias:
Rebecca Maria Hall
ربکا هال
丽贝卡·豪尔
레베카 홀

Birthplace:
London, England, UK

Born:
May 3, 1982

Rebecca Maria Hall (born May 3, 1982) is an English actress and filmmaker. She made her first onscreen appearance at age 10 in the 1992 television adaptation of The Camomile Lawn, directed by her father, Sir Peter Hall. Her professional stage debut came in her father's 2002 production of Mrs. Warren's Profession, which earned her the Ian Charleson Award.  In 2006, following her film debut in Starter for 10, Hall got her breakthrough role in Christopher Nolan's thriller film The Prestige. In 2008, she starred as Vicky in Woody Allen's romantic comedy-drama Vicky Cristina Barcelona, for which she received a Golden Globe nomination for Best Actress. Hall then appeared in a wide array of films, including Ron Howard's historical drama Frost/Nixon (2008), Ben Affleck's crime drama The Town (2010), the horror thriller The Awakening (2011), the superhero film Iron Man 3 (2013), the science fiction film Transcendence (2014), the psychological thriller The Gift (2015), the live-action/CGI fantasy adventure film The BFG (2016), the biographical drama Professor Marston and the Wonder Women (2017) and the monster film Godzilla vs. Kong (2021). In 2016, Hall was praised by critics for her portrayal of news reporter Christine Chubbuck in the biographical drama Christine. She made her directorial debut with Passing (2021), receiving critical acclaim.  Hall has also made several notable appearances on British television. She won the British Academy Television Award for Best Supporting Actress for the 2009 Channel 4 miniseries Red Riding: 1974. In 2013, she was nominated for the British Academy Television Award for Best Actress for her performance in BBC Two's Parade's End.  Description above from the Wikipedia article Rebecca Hall, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

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Co-Producer:
????  Four Days Like Sunday

Director:
2021  Passing
????  Four Days Like Sunday

Executive Producer:
2021  Passing
2021  The Night House
2022  Resurrection
????  Four Days Like Sunday

Producer:
2018  Permission
2021  Passing
2021  The Night House
2022  Resurrection
????  Four Days Like Sunday

Screenplay:
2018  Permission
2021  Passing
2021  The Night House
2022  Resurrection
????  Four Days Like Sunday

Writer:
2018  Permission
2021  Passing
2021  The Night House
2022  Resurrection
????  Four Days Like Sunday

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.