A work in constant progress (and occasional regress).
Farhana Bhula is the Head of Creative at Film4. She joined the company in 2022 as a Senior Commissioning Executive, overseeing projects such as How to Have Sex by Molly Manning Walker, Layla by Amrou Al-Kadhi, and Strangers by Andrew Haigh, starring Andrew Scott and Paul Mescal. Before Film4, she worked at the BFI as a Senior Development and Production Executive, where she served as Executive Producer on Scrapper by Charlotte Regan, Pretty Red Dress by Dionne Edwards, Nezouh by Soudade Kaadan, Pirates by Reggie Yates, Boxing Day by Aml Ameen, and ear for an eye by debbie tucker green. She was also involved in Ben Sharrock’s Limbo and Aleem Khan’s After Love. Before her time at the BFI, Bhula was Head of Development at Wildgaze Films (Brooklyn, An Education) and a Development Executive at Endor Productions.
Associate Producer:
2013 Jadoo
Executive Producer:
2013 Jadoo
2021 Boxing Day
2021 ear for eye
2023 All of Us Strangers
2023 How to Have Sex
2023 Nezouh
2023 Pretty Red Dress
2023 Scrapper
2024 2073
2024 Layla
2024 Wicked Little Letters
2025 Hot Milk
2025 Surviving Earth
2025 The History of Sound
???? Four Days Like Sunday
???? Rose of Nevada
???? Wild Horse Nine
Producer:
2013 Jadoo
2014 Bonobo
2020 Truck
2021 Boxing Day
2021 ear for eye
2023 All of Us Strangers
2023 How to Have Sex
2023 Nezouh
2023 Pretty Red Dress
2023 Scrapper
2024 2073
2024 Layla
2024 Wicked Little Letters
2025 Hot Milk
2025 Surviving Earth
2025 The History of Sound
???? Four Days Like Sunday
???? Rose of Nevada
???? Wild Horse Nine
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.