A work in constant progress (and occasional regress).
Release Date:
May 21, 1968
Original Title:
Świat grozy
Genres:
Comedy | Crime | Horror | TV Movie
Production Companies:
Zespół Filmowy "Iluzjon"
Zespół Filmowy "Kamera"
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 89
Selected episodes from a television series of thrilling stories based on works of world literature classics.
Assistant Camera:
Eugeniusz Gawrysiak
Aleksy Krywsza
Bohdan Borewicz
Wiesław Pyda
Eugeniusz Maciaszek
Assistant Director:
Gerard Zalewski
Lech Lorentowicz
Anna Hrynaszkiewicz
Włodzimierz Kamiński
Bozena Piotrowska
Assistant Editor:
Jadwiga Lesniewicz
Krystyna Włodarek
Assistant Makeup Artist:
Krystyna Chmielewska
Krystyna Leszczyńska
Zofia Macinska
Assistant Production Design:
Wiesław Orłowski
Jerzy Oleś
Ignacy Gaworkiewicz
Tadeusz Myszorek
Assistant Production Manager:
Tadeusz Chojnacki
Konstanty Tarnowski
Romuald Hajnberg
Ryszard Jasionowski
Jan Kucharski
Camera Operator:
Andrzej Ramlau
Conductor:
Jerzy Maksymiuk
Mieczysław Nowakowski
Costume Assistant:
Jolanta Komorowska
Costume Design:
Jadwiga Przeradzka-Jędrzejewska
Lidia Rzeszewska
Bolesław Kamykowski
Director:
Czesław Petelski
Ewa Petelska
Witold Lesiewicz
Director of Photography:
Kazimierz Konrad
Czesław Świrta
Editor:
Felicja Rogowska
Zofia Dwornik
First Assistant Director:
Andrzej Jerzy Piotrowski
Makeup Artist:
Halina Sieńska
Teresa Tomaszewska
Music:
Jerzy Maksymiuk
Tadeusz Baird
Production Design:
Jerzy Skrzepiński
Bolesław Kamykowski
Production Manager:
Jerzy Laskowski
Konstanty Lewkowicz
Screenplay:
Zdzisław Skowroński
Witold Lesiewicz
Set Decoration:
Marek Iwaszkiewicz
Short Story:
Wilkie Collins
Oscar Wilde
Sound:
Jan Kalisz
Leszek Wronko
Sound Assistant:
Tadeusz Wosinski
Zbigniew Przygodzki
Włodzimierz Wiśniewski
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.