A work in constant progress (and occasional regress).
Assistant Makeup Artist:
1955 Magical Bicycle
1960 Coloured Stockings
1961 Silent Traces
1962 The Two Who Stole the Moon
1963 Good Sins
1963 Kryptonim Nektar
1964 Heat
1964 Where is the General?
1965 The Holy War
1966 Maria and Napoleon
1966 Zejście do piekła
1967 Boxer
1967 Klub szachistów
1968 Przeraźliwe łoże
1968 Świat grozy
1969 The Game
1970 Piąta rano
1970 The Taste of the Black Earth
1971 A Face of an Angel
1971 Południk zero
1971 Pułapka
1972 Punkt wyjścia
1972 Wiktoryna, czyli czy pan pochodzi z Beauvais?
1973 Jealousy and Medicine
Costume Assistant:
1955 Magical Bicycle
1960 Coloured Stockings
1961 Silent Traces
1962 The Two Who Stole the Moon
1963 Good Sins
1963 Kryptonim Nektar
1964 Heat
1964 Where is the General?
1965 The Holy War
1966 Maria and Napoleon
1966 Zejście do piekła
1967 Boxer
1967 Klub szachistów
1968 Przeraźliwe łoże
1968 Zbrodnia lorda Artura Savile'a
1968 Świat grozy
1969 The Game
1970 Piąta rano
1970 The Taste of the Black Earth
1971 A Face of an Angel
1971 Południk zero
1971 Pułapka
1972 Punkt wyjścia
1972 Wiktoryna, czyli czy pan pochodzi z Beauvais?
1973 Jealousy and Medicine
Makeup & Hair:
1955 Magical Bicycle
1960 Coloured Stockings
1961 Silent Traces
1962 The Two Who Stole the Moon
1963 Good Sins
1963 Kryptonim Nektar
1964 Heat
1964 Where is the General?
1965 The Holy War
1966 Maria and Napoleon
1966 Zejście do piekła
1967 Boxer
1967 Klub szachistów
1968 Przeraźliwe łoże
1968 Zbrodnia lorda Artura Savile'a
1968 Świat grozy
1969 The Game
1970 Piąta rano
1970 The Taste of the Black Earth
1971 A Face of an Angel
1971 Południk zero
1971 Pułapka
1972 Punkt wyjścia
1972 Wiktoryna, czyli czy pan pochodzi z Beauvais?
1973 Jealousy and Medicine
1980 Listy naszych czytelników
Makeup Artist:
1955 Magical Bicycle
1958 Eroica
1960 Coloured Stockings
1961 Silent Traces
1962 The Two Who Stole the Moon
1963 Good Sins
1963 Kryptonim Nektar
1964 Heat
1964 Where is the General?
1965 The Ashes
1965 The Holy War
1966 Maria and Napoleon
1966 Zejście do piekła
1967 Boxer
1967 Klub szachistów
1968 Przeraźliwe łoże
1968 Zbrodnia lorda Artura Savile'a
1968 Świat grozy
1969 The Game
1970 Piąta rano
1970 The Taste of the Black Earth
1971 A Face of an Angel
1971 Południk zero
1971 Pułapka
1972 Punkt wyjścia
1972 Wiktoryna, czyli czy pan pochodzi z Beauvais?
1973 Jealousy and Medicine
1974 Ballada o ścinaniu drzewa
1980 Listy naszych czytelników
Makeup Designer:
1955 Magical Bicycle
1957 Man on the Tracks
1958 Eroica
1960 Coloured Stockings
1961 Silent Traces
1962 The Two Who Stole the Moon
1963 Good Sins
1963 Kryptonim Nektar
1964 Heat
1964 Where is the General?
1965 The Ashes
1965 The Holy War
1966 Maria and Napoleon
1966 Zejście do piekła
1967 Boxer
1967 Klub szachistów
1968 Przeraźliwe łoże
1968 Zbrodnia lorda Artura Savile'a
1968 Świat grozy
1969 The Game
1970 Piąta rano
1970 The Taste of the Black Earth
1971 A Face of an Angel
1971 Południk zero
1971 Pułapka
1972 Punkt wyjścia
1972 Wiktoryna, czyli czy pan pochodzi z Beauvais?
1973 Jealousy and Medicine
1974 Ballada o ścinaniu drzewa
1980 Listy naszych czytelników
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.