Tadeusz Chojnacki

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Assistant Makeup Artist:
1963  Far Is the Road

Assistant Production Manager:
1963  Far Is the Road
1963  Skąpani w ogniu
1963  The Lost Bridge
1964  Barwy walki
1965  Córeczka
1965  Drewniany różaniec
1965  Wózek
1966  Barrier
1966  Bigos
1966  Buty
1966  Don Gabriel
1966  Nazajutrz po wojnie
1966  Niedziela sprawiedliwości
1966  Zejście do piekła
1967  Our Folks
1968  Cześć kapitanie
1968  Duch z Canterville
1968  Świat grozy
1969  Kwestia sumienia
1969  Shifting Sands
1969  The Tortures of Hope
1970  Olympic Fire
1970  Pogoń za Adamem
1971  Hydro-Puzzle
1971  Nuremberg Epilogue
1973  Copernicus
1981  Draka
1981  Na melinę

Production Assistant:
1958  What Will My Wife Say to This?
1963  Far Is the Road
1963  Skąpani w ogniu
1963  The Lost Bridge
1964  Barwy walki
1964  Liczę na wasze grzechy
1965  Córeczka
1965  Drewniany różaniec
1965  Wózek
1966  Barrier
1966  Bigos
1966  Buty
1966  Don Gabriel
1966  Nazajutrz po wojnie
1966  Niedziela sprawiedliwości
1966  Zejście do piekła
1967  Our Folks
1968  Cześć kapitanie
1968  Duch z Canterville
1968  Świat grozy
1969  Kwestia sumienia
1969  Shifting Sands
1969  The Tortures of Hope
1970  Olympic Fire
1970  Pogoń za Adamem
1971  Hydro-Puzzle
1971  Nuremberg Epilogue
1973  Copernicus
1981  Draka
1981  Na melinę

Unit Manager:
1958  What Will My Wife Say to This?
1959  Octopus Cafe
1959  The Attempt
1960  The Return
1961  Story of the Golden Boot
1963  Far Is the Road
1963  Skąpani w ogniu
1963  The Lost Bridge
1964  Barwy walki
1964  Liczę na wasze grzechy
1965  Córeczka
1965  Drewniany różaniec
1965  Wózek
1966  Barrier
1966  Bigos
1966  Buty
1966  Don Gabriel
1966  Nazajutrz po wojnie
1966  Niedziela sprawiedliwości
1966  Zejście do piekła
1967  Our Folks
1968  Cześć kapitanie
1968  Duch z Canterville
1968  Świat grozy
1969  Kwestia sumienia
1969  Shifting Sands
1969  The Tortures of Hope
1970  Olympic Fire
1970  Pogoń za Adamem
1971  Hydro-Puzzle
1971  Nuremberg Epilogue
1973  Copernicus
1981  Draka
1981  Na melinę

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.