A work in constant progress (and occasional regress).
ADR Mixer:
2018 The Trouble with You
Foley Mixer:
2016 Arrival
2018 Suspiria
2018 The Trouble with You
Gaffer:
2003 Eiffel... I'm in Love
2016 Arrival
2018 Suspiria
2018 The Trouble with You
Sound:
2003 Eiffel... I'm in Love
2016 Arrival
2018 Suspiria
2018 The Trouble with You
2022 My Brothers and I
2024 It Is Night in America
Sound Mixer:
2003 Eiffel... I'm in Love
2013 A Dimanche Prochain
2016 Arrival
2018 Suspiria
2018 The Trouble with You
2019 Golden Youth
2020 Red Star
2021 Les enfants de bohème
2022 My Brothers and I
2024 It Is Night in America
Sound Re-Recording Mixer:
2003 Eiffel... I'm in Love
2013 A Dimanche Prochain
2016 Arrival
2018 Suspiria
2018 The Great Mystical Circus
2018 The Trouble with You
2019 Golden Youth
2020 Champ de bosses
2020 Enormous
2020 Red Star
2020 Simon's Got a Gift
2021 Les enfants de bohème
2022 Babysitter
2022 My Brothers and I
2022 Not My Type
2022 The Innocent
2023 Anti-Squat
2023 Loving Memories
2023 Scarlet
2023 The Edge of the Blade
2023 The Goldman Case
2023 The Nature of Love
2024 It Is Night in America
2025 Different
2025 Love Letters
2025 Not All Men, But...
Special Sound Effects:
2003 Eiffel... I'm in Love
2013 A Dimanche Prochain
2016 Arrival
2018 Suspiria
2018 The Great Mystical Circus
2018 The Trouble with You
2019 Golden Youth
2020 Champ de bosses
2020 Enormous
2020 Red Star
2020 Simon's Got a Gift
2021 Les enfants de bohème
2022 Babysitter
2022 My Brothers and I
2022 Not My Type
2022 The Innocent
2023 Anti-Squat
2023 Loving Memories
2023 Scarlet
2023 The Edge of the Blade
2023 The Goldman Case
2023 The Nature of Love
2024 It Is Night in America
2025 Different
2025 Love Letters
2025 Not All Men, But...
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.