A work in constant progress (and occasional regress).
Alias:
Octavia Taten
Octavia Verdin
Veteran filmmaker Julia Verdin is a multi-hyphenate - she is known as an accomplished producer, award-winning Director and has written a number of screenplays. Having been in the film business for 30 years, Julia has established herself as one of Hollywood's leading independent producers, with over 36 critically acclaimed feature films produced to date. She founded and has been running Rough Diamond Productions since 1995. Julia's films have been selected for many major film festivalicluding Sundance, Toronto, Venice, AFI, Raindance, Vancouver International, and London. As a director, her former acting background has given her the tools to support her actors and bring out amazing performances, and her producing background enables her to stay on budget while bringing out the best creative results. Her directorial debut, Lost Girls, starring Bar Paly, Marisol Nichols, and Jamie Harris did well on the festival circuit and won several awards including Best Social Impact film at The Culver City Film festival. The film has also been broadcast as part of an educational program on sex trafficking of minors and has been screened by organizations and communities and is currently in distribution. Her first feature that she directed, wrote and produced, Angie: Lost Girls, had a limited theatrical release in December 2020 at a drive-in due to Covid-19 and distributed by Freestyle in the U.S. and Jinga Films worldwide. Set around the world of child sex trafficking again, this time focusing on a victim's difficulty re-integrating with her family, re-finding her self-worth whilst combating ongoing threats to herself and loved ones from traffickers. The film stars Olivia d'Abo, Dylan Sprayberry, Anthony Montgomery, Randall Batinkoff, Jane Widdop, M.C. Lyte and Amin Joseph. Her second feature, MAYA, is currently in post-production and showcases how young, vulnerable teens with no support at home can be lured by traffickers online. It stars Patricia Velasquez, Rumer Willis, Gian Franco Rodriguez, Rena Owen, Anthony Montgomery and newcomers Isabella Feliciana and Billy Budinich. She directed a short promo for GIFT (Global initiative fighting Trafficking) and 2 short films, Brown and The Inheritance, in partnership with non-profit Kids in The Spotlight, which were stories written by and acted in by foster youth. Brown screened at Paramount Studios in November 2019 and screened at several film festivals. The Inheritance premiered at the Orpheum Theater in November 2021. Julia founded and serves on the board of directors of Artists For Change, a 501c non-profit with a mission of raising awareness on key social issues through film and media.
Casting:
2004 Dracula 3000
2006 The Breed
Casting Director:
2004 Dracula 3000
2006 The Breed
2024 Double Exposure
Co-Producer:
1999 Ballad of the Nightingale
2002 Greenmail
2002 Pavement
2004 Dracula 3000
2004 Riding the Bullet
2005 Slipstream
2006 The Breed
2024 Double Exposure
Director:
1999 Ballad of the Nightingale
2002 Greenmail
2002 Pavement
2004 Dracula 3000
2004 Riding the Bullet
2005 Slipstream
2006 The Breed
2020 Angie: Lost Girls
2023 Maya
2024 Americans with No Address
2024 Double Exposure
???? No Address
Executive Producer:
1988 Zits
1999 Ballad of the Nightingale
2002 Greenmail
2002 Pavement
2004 Dracula 3000
2004 Riding the Bullet
2005 Slipstream
2006 The Breed
2020 Angie: Lost Girls
2023 Maya
2024 Americans with No Address
2024 Double Exposure
???? No Address
Producer:
1988 Zits
1995 The Set Up
1998 Detour
1998 Matter of Trust
1998 Perfect Assassins
1999 Ballad of the Nightingale
2000 Contaminated Man
2002 Greenmail
2002 Pavement
2003 Stander
2004 Dracula 3000
2004 Riding the Bullet
2005 Slipstream
2006 The Breed
2009 The Least Among You
2012 2 Jacks
2017 The Unwilling
2020 Angie: Lost Girls
2023 Death on the Border
2023 Maya
2024 Americans with No Address
2024 Double Exposure
???? No Address
Screenplay:
1988 Zits
1995 The Set Up
1998 Detour
1998 Matter of Trust
1998 Perfect Assassins
1999 Ballad of the Nightingale
2000 Contaminated Man
2002 Greenmail
2002 Pavement
2003 Stander
2004 Dracula 3000
2004 Riding the Bullet
2005 Slipstream
2006 The Breed
2009 The Least Among You
2012 2 Jacks
2017 The Unwilling
2020 Angie: Lost Girls
2023 Death on the Border
2023 Maya
2024 Americans with No Address
2024 Double Exposure
???? No Address
Writer:
1988 Zits
1995 The Set Up
1998 Detour
1998 Matter of Trust
1998 Perfect Assassins
1999 Ballad of the Nightingale
2000 Contaminated Man
2002 Greenmail
2002 Pavement
2003 Stander
2004 Dracula 3000
2004 Riding the Bullet
2005 Slipstream
2006 The Breed
2009 The Least Among You
2012 2 Jacks
2017 The Unwilling
2020 Angie: Lost Girls
2023 Death on the Border
2023 Maya
2024 Americans with No Address
2024 Double Exposure
???? No Address
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.