A work in constant progress (and occasional regress).
Release Date:
July 10, 2024
Original Title:
Longlegs
Alternate Titles:
Kod zła
Longlegs - O Colecionador de Almas
Longlegs: Coleccionista De Almas
O Colecionador de Almas
Ruh toplayici
Sielų kolekcionierius
Лонглес
لنگدرازها
გრძელფეხება: სულებზე მონადირე
長腿
长脚怪
长腿怪
Genres:
Crime | Horror | Thriller
Production Companies:
C2 Motion Picture Group
Oddfellows Entertainment
Range Media Partners
Saturn Films
Traffic.
Production Countries:
Canada | United States of America
Ratings / Certifications:
AR: +16 AU: MA 15+ BR: 18 CA: 14A CH: 16 CL: 14 CZ: 15+ DE: 16 DK: 15 ES: 16 FI: K-16 FR: 12 GB: 15 HK: IIB HU: 18 ID: 17+ IE: 16 IL: 16 IN: A IT: 14+ JP: PG12 KR: 15 LT: N-16 MX: B-15 NL: 16 NO: 15 NZ: R16 PH: R-16 PR: R PT: M/16 RU: 18+ SE: 15 SG: NC16 TH: 18 TR: 18+ TW: 15+ UA: 18+ US: R VI: R ZA: 16
Runtime: 101
FBI Agent Lee Harker is a gifted new recruit assigned to the unsolved case of an elusive serial killer. As the case takes complex turns, unearthing evidence of the occult, Harker discovers a personal connection to the merciless killer and must race against time to stop him before he claims the lives of another innocent family.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Miguel Araujo
Matt Hovland
Jonathan Jost
Trino Madriz
Art Direction:
Brendan Megannety
Assistant Camera:
Arsalan Neshan
Assistant Editor:
Joseph K. Vance
Assistant Location Manager:
Mike McAree
Assistant Property Master:
Allison Deleo
Assistant Set Decoration:
A. Blair Stevens
Best Boy Electric:
Spencer Zimmerman
Best Boy Grip:
Colin Robson
Boom Operator:
Robert W. Booth
Freya Cirulis
Camera Operator:
Brad McGregor
Camera Trainee:
Robinson Bancroft
Jay Alderson
Casting:
Mark Bennett
Casting Assistant:
Hannah Lacock
Co-Executive Producer:
Joe Grimaldi
Andy Levine
Laura Wheeler
Color Assistant:
Jason Maydick
Colorist:
Mitch Paulson
Compositor:
Ryan Lum
Concept Artist:
Keith Lau
Costume Design:
Mica Kayde
Dailies Manager:
Quin Voth
Data Management Technician:
Jared Boyce
Digital Compositor:
Dylan Burrow
Joel Brecknell
Digital Intermediate Producer:
András Tóth
Director:
Osgood Perkins
Director of Photography:
Andres Arochi
Dolly Grip:
Namowan Kirby
Editor:
Graham Fortin
Greg Ng
Epk Camera Operator:
Laurel Brown
Executive Producer:
Fred Berger
Andrea Bucko
Jason Cloth
Elizabeth Destro
Ronnie Exley
John Friedberg
David Gendron
Ali Jazayeri
Sean Krajewski
Lawrence Minicone
Jesse Savath
Tom Quinn
Teddy Schwarzman
Jason Wald
Extras Casting:
Andrea Hughes
Extras Casting Assistant:
Trevor Fieldhouse
First Assistant Camera:
Jared Boyce
Ryan Ermacora
First Assistant Director:
Adam McCarthy
First Assistant Editor:
Stephen Grobe
Foley Artist:
Maureen Murphy
Foley Editor:
Dean Giammarco
Foley Recordist:
Gareth Baird
Gaffer:
Yannie Yu
Grip:
Ken Gurney
Jonathan Frezza
Zachary W. Sowinski
Hairstylist:
Laura Rodgers Murray
Key Grip:
Amrit Bawa
Key Hair Stylist:
Kristin Chaar
Key Makeup Artist:
Madelaine Hermans
Key Production Assistant:
Adam Cartwright
Lead Set Dresser:
Elliott Vion
Line Producer:
Jonathan DuBois
Location Manager:
Brent Canning
Location Scout:
Tim Moshansky
Makeup & Hair:
Jordan Crawford
Pamela Warden
Makeup Artist:
Crissy Renaud
Makeup Effects Designer:
Felix Fox
Mix Technician:
Gordon Sproule
Music Supervisor:
Natasha Duprey
Original Music Composer:
Elvis Perkins
Post Production Coordinator:
Emma Levine
Post Production Supervisor:
Andy Levine
Producer:
Chris Ferguson
Nicolas Cage
Dan Kagan
Brian Kavanaugh-Jones
Dave Caplan
Production Accountant:
Shelby Tony
Production Assistant:
Griffon Burton
Christopher Olivier
Francesco Quarto
Production Coordinator:
Tiann Arnault
Production Design:
Danny Vermette
Production Manager:
Nancy Welsh
Property Master:
Dana Bontempo
Script Supervisor:
Bria Rose Wilk
Sculptor:
Crissy Renaud
Second Assistant Camera:
John Fleming
Christopher Merrell
Second Assistant Director:
Benjamin Galloway
Second Unit Director of Photography:
Jeremy Cox
Set Costumer:
Giselle Bourget Morales
Set Decoration:
Trevor Johnston
Set Decoration Buyer:
Eric Cairns
Set Dresser:
Jonny Sigouin
Mike Klemak
Alena Webber
Sound Designer:
Eugenio Battaglia
Sound Effects Editor:
Humberto Corte
Oscar Vargas
Sound Re-Recording Mixer:
Eugenio Battaglia
Special Effects Assistant:
Chris Lawson
Special Effects Coordinator:
Greg Pyne
Special Effects Makeup Artist:
Harlow MacFarlane
Werner Pretorius
Special Effects Supervisor:
Christopher Lance
Stand In:
Emily Cocks
Avery Crane
Nicolas Zanetti
Steadicam Operator:
Leonardo Harim
Still Photographer:
Asterios Moutsokapas
Storyboard Artist:
Adrien van Viersen
Stunt Coordinator:
Fraser Corbett
Stunt Double:
Will Erichson
Andrea Ross
Lisa Chandler
Trevor Jones
Stunt Driver:
Brennan Walstrom
Stunts:
Brett Chan
Ryan Ennis
Vesna Ennis
Lars Grant
Chris Webb
Supervising Sound Editor:
Eugenio Battaglia
Thanks:
Jordan Peele
Chloe Okuno
Ian Cooper
Kirill Sokolov
Third Assistant Director:
Hannah Broad
Title Designer:
Troy James Miller
Aaron Becker
Unit Production Manager:
Gabriel Medina
Visual Effects Coordinator:
Julia Kragh
Visual Effects Supervisor:
Edward J. Douglas
Writer:
Osgood Perkins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.