A work in constant progress (and occasional regress).
Alias:
Кирилл Сергеевич Соколов
Kirill Sergeevich Sokolov
Kirill Sokolov
Кирилл Соколов
Birthplace:
Leningrad, USSR (Saint Petersburg, Russia)
Born:
June 9, 1989
Kirill Sergeevich Sokolov (Russian: Кири́лл Серге́евич Соколо́в; born 9 June, 1989; Leningrad) is a Russian filmmaker. The talents of versatile Russian writer/director Kirill Sokolov were brought to the attention of Western audiences via the Tallinn Black Nights Film Festival in Estonia in 2018. A riotous, action-filled black comedy, Sokolov's debut film, "Why Don't You Just Die?," draws upon the cinematic styles of his favorite directors, Sergio Leone, Martin McDonagh, Park Chan-wook, Martin Scorsese, and, of course, Quentin Tarantino. Although his first full-length feature film is distinctly Russian, uniquely characterized as a Western-style action film playing out within the confines of a Moscow apartment, Sokolov endeavors to tell a universal story that international audiences will still be able to relate to. Sokolov was born in 1989 in Saint Petersburg, Russia. In 2012, he received a master's degree in the Physics and Technology of Nanostructures. However, even as he worked to complete his degree in Physics, he began making short films with his friends, initially using just ketchup as blood. Inspired by films such as "The Good, The Bad and The Ugly," "Evil Dead 2," "Oldboy," and "Kill Bill", Sokolov discovered that he had both a love and a talent for dark comedy, a genre which has yet to gain popularity in Russia. In 2013, when Sokolov's filmmaking hobby started to consume all of his time, he enrolled in a program for Advanced Courses for Film Directors and Scriptwriters (VKSR) at the workshop of V. Khotinenko, P. Finn, and V. Fenchenko. In 2015 he successfully defended his diploma with the short film "The Flame." In addition to his debut film, "Why Don't You Just Die?" Sokolov has edited several Russian full-length feature films, written several full-length screenplays, and directed music videos and commercials.
Digital Effects Producer:
2012 Could Be Worse
Director:
2012 Could Be Worse
2012 Sisyphus Is Happy
2013 The Outcome
2015 About Love
2015 The Flame
2018 Why Don't You Just Die!
2022 No Looking Back
???? Alone in the Ocean
???? Lisa and the Magic Layout
???? They Will Kill You
???? To Banya
Editor:
2012 Could Be Worse
2012 Sisyphus Is Happy
2013 The Outcome
2015 About Love
2015 The Flame
2018 Why Don't You Just Die!
2022 No Looking Back
???? Alone in the Ocean
???? Lisa and the Magic Layout
???? They Will Kill You
???? To Banya
Executive Producer:
2012 Could Be Worse
2012 Sisyphus Is Happy
2013 The Outcome
2015 About Love
2015 The Flame
2018 Why Don't You Just Die!
2022 No Looking Back
???? Alone in the Ocean
???? Lisa and the Magic Layout
???? They Will Kill You
???? To Banya
Producer:
2012 Could Be Worse
2012 Sisyphus Is Happy
2013 The Outcome
2015 About Love
2015 The Flame
2018 Why Don't You Just Die!
2022 No Looking Back
???? Alone in the Ocean
???? Lisa and the Magic Layout
???? They Will Kill You
???? To Banya
Screenplay:
2012 Could Be Worse
2012 Sisyphus Is Happy
2013 The Outcome
2015 About Love
2015 The Flame
2018 Why Don't You Just Die!
2022 No Looking Back
???? Alone in the Ocean
???? Lisa and the Magic Layout
???? They Will Kill You
???? To Banya
Thanks:
2012 Could Be Worse
2012 Sisyphus Is Happy
2013 The Outcome
2015 About Love
2015 The Flame
2018 Why Don't You Just Die!
2020 Skull: The Mask
2022 No Looking Back
2024 Longlegs
???? Alone in the Ocean
???? Lisa and the Magic Layout
???? They Will Kill You
???? To Banya
Writer:
2012 Could Be Worse
2012 Sisyphus Is Happy
2013 The Outcome
2015 About Love
2015 The Flame
2018 Why Don't You Just Die!
2020 Skull: The Mask
2022 No Looking Back
2024 Longlegs
???? Alone in the Ocean
???? Lisa and the Magic Layout
???? They Will Kill You
???? To Banya
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.