A work in constant progress (and occasional regress).
Art Direction:
1996 Flores amarillas en la ventana
2000 Clams and Mussels
2002 Dibu 3
2004 Palermo Hollywood
2005 Blessed by Fire
2009 Dad for a Day
2014 Amapola
2015 8 tiros
2016 Inseparables
2022 All Hail
2022 Más respeto que soy tu madre
2023 The Lulú Club
2024 Goyo
Production Design:
1996 Flores amarillas en la ventana
2000 Clams and Mussels
2001 The Escape
2002 Dibu 3
2002 Ni vivo, ni muerto
2004 Palermo Hollywood
2005 Blessed by Fire
2009 Dad for a Day
2014 Amapola
2014 Bañeros 4: Los rompeolas
2015 8 tiros
2016 Inseparables
2022 All Hail
2022 Más respeto que soy tu madre
2023 The Lulú Club
2024 Goyo
Set Decoration:
1996 Flores amarillas en la ventana
2000 Clams and Mussels
2001 The Escape
2002 Dibu 3
2002 Ni vivo, ni muerto
2004 Palermo Hollywood
2004 The Whore and the Whale
2005 Blessed by Fire
2009 Dad for a Day
2014 Amapola
2014 Bañeros 4: Los rompeolas
2015 8 tiros
2016 Inseparables
2022 All Hail
2022 Más respeto que soy tu madre
2023 The Lulú Club
2024 Goyo
Settings:
1996 Flores amarillas en la ventana
1997 La furia
2000 Clams and Mussels
2001 The Escape
2002 Dibu 3
2002 Ni vivo, ni muerto
2004 Palermo Hollywood
2004 The Whore and the Whale
2005 Blessed by Fire
2009 Dad for a Day
2014 Amapola
2014 Bañeros 4: Los rompeolas
2015 8 tiros
2016 Inseparables
2022 All Hail
2022 Más respeto que soy tu madre
2023 The Lulú Club
2024 Goyo
Special Effects Makeup Artist:
1988 Lo que vendrá
1996 Flores amarillas en la ventana
1997 La furia
2000 Clams and Mussels
2001 The Escape
2002 Dibu 3
2002 Ni vivo, ni muerto
2004 Palermo Hollywood
2004 The Whore and the Whale
2005 Blessed by Fire
2009 Dad for a Day
2014 Amapola
2014 Bañeros 4: Los rompeolas
2015 8 tiros
2016 Inseparables
2022 All Hail
2022 Más respeto que soy tu madre
2023 The Lulú Club
2024 Goyo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.