A work in constant progress (and occasional regress).
Assistant Dialogue Editor:
1998 Lick the Star
Assistant Editor:
1998 Lick the Star
1999 Anywhere but Here
Dialogue Editor:
1998 Lick the Star
1999 Anywhere but Here
2013 The Bling Ring
First Assistant Sound Editor:
1997 The Rainmaker
1998 Lick the Star
1999 Anywhere but Here
2013 The Bling Ring
Sound Designer:
1997 The Rainmaker
1998 Lick the Star
1999 Anywhere but Here
2011 Too Big to Fail
2013 The Bling Ring
Sound Editor:
1997 The Rainmaker
1998 Lick the Star
1999 Anywhere but Here
2006 Marie Antoinette
2011 Too Big to Fail
2013 The Bling Ring
Sound Effects Editor:
1997 The Rainmaker
1998 Lick the Star
1999 Anywhere but Here
2006 Marie Antoinette
2011 The Beaver
2011 Too Big to Fail
2013 Phil Spector
2013 The Bling Ring
2020 On the Rocks
Sound Engineer:
1995 Synthetic Pleasures
1997 The Rainmaker
1998 Lick the Star
1999 Anywhere but Here
2006 Marie Antoinette
2011 The Beaver
2011 Too Big to Fail
2013 Phil Spector
2013 The Bling Ring
2020 On the Rocks
Sound Re-Recording Mixer:
1995 Synthetic Pleasures
1997 The Rainmaker
1998 Lick the Star
1999 Anywhere but Here
2006 Marie Antoinette
2008 Redbelt
2010 Somewhere
2011 The Beaver
2011 Too Big to Fail
2013 Phil Spector
2013 The Bling Ring
2017 The Beguiled
2020 On the Rocks
2023 Songs About Fucking
2024 Music by John Williams
Supervising Sound Editor:
1995 Synthetic Pleasures
1997 The Rainmaker
1998 Lick the Star
1999 Anywhere but Here
2006 Marie Antoinette
2008 Redbelt
2010 Somewhere
2011 The Beaver
2011 Too Big to Fail
2013 Phil Spector
2013 The Bling Ring
2017 The Beguiled
2020 On the Rocks
2023 Songs About Fucking
2024 Music by John Williams
Sound Re-Recording Mixer:
2017 MINDHUNTER
2021 Star Wars: Visions
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.