Jeffrey Hartmann

A work in constant progress (and occasional regress).

Vince Filippone

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Additional information:

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Film Production

Additional Editing:
2010 Life As We Know It

Assistant Editor:
1999  American Beauty
2004  DodgeBall: A True Underdog Story
2006  Firewall
2010  Life As We Know It

Associate Editor:
1999  American Beauty
2004  DodgeBall: A True Underdog Story
2006  Firewall
2007  Disturbia
2010  Life As We Know It

Editor:
1999  American Beauty
2004  DodgeBall: A True Underdog Story
2005  Beverly Kills
2006  Firewall
2006  Puff, Puff, Pass
2007  Disturbia
2010  Life As We Know It
2011  I Am Number Four
2014  The Purge: Anarchy
2016  Mothers and Daughters
2016  The Disappointments Room
2017  xXx: Return of Xander Cage
2020  The Lovebirds

First Assistant Editor:
1999  American Beauty
2001  The Majestic
2002  The Salton Sea
2003  Chasing Papi
2004  DodgeBall: A True Underdog Story
2005  Beverly Kills
2006  Firewall
2006  Puff, Puff, Pass
2007  Disturbia
2009  The Uninvited
2010  Life As We Know It
2011  I Am Number Four
2014  The Purge: Anarchy
2016  Mothers and Daughters
2016  The Disappointments Room
2017  xXx: Return of Xander Cage
2020  The Lovebirds

Click the heading above to show or hide the list.

TV Production

Assistant Editor:
2019 What We Do in the Shadows

Visual Effects Assistant Editor:
2019 What We Do in the Shadows

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.