A work in constant progress (and occasional regress).
Release Date:
October 26, 1966
Original Title:
Le Saint prend l'affût
Alternate Titles:
As Aventuras de o Santo
Az Angyal lesen
Bir milyon dolar pesinde
De saint contra...
Der Lord mit der MP
Helgenen går i aktion
Helgonet lever farligt
Il santo prende la mira
O agios stinei pagida
The Saint Against Agent 001
The Saint Lies in Wait
Genres:
Action
Production Countries:
France | Italy
Ratings / Certifications:
N/A
Oscar Chartier plays a dangerous double game by selling secret plans to the German and American secret services, to ensure a comfortable future for his daughter, Sophie. But the plans are fake and Chartier decides to get help from his good friend Simon Templar.
Assistant Camera:
Pierre Charvein
Assistant Director:
Philippe Monnier
Alberto Cardone
Assistant Editor:
Françoise Laporte
Camera Operator:
Gino Santini
Noël Martin
Director:
Christian-Jaque
Director of Photography:
Pierre Petit
Editor:
Françoise Laporte
Jacques Desagneaux
Executive Producer:
Jean-Paul Guibert
Makeup Artist:
Eligio Trani
Makeup Department Head:
Alexandre Marcus
Original Music Composer:
Gérard Calvi
Production Design:
Jean Mandaroux
Production Designer:
René Calviera
Production Manager:
Philippe Modave
Fernando Rossi
Claude Hauser
Production Secretary:
Marco Gigante
Antoine Compin
Yvonne Eblagon
Script Supervisor:
Denise Morlot
Second Assistant Director:
Denise Morlot
Set Decoration:
Luciano Vincenti
Sound:
Raymond Gauguier
Pietro Spadoni
Stunts:
André Cagnard
Rico López
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.