A work in constant progress (and occasional regress).
Aerial Camera:
2013 Angkor Rediscovered
Camera Operator:
1964 Champagne for Savages
2013 Angkor Rediscovered
2018 Mammifères marins - les maîtres des abysses
Cinematography:
1954 The Pirates of the Bois du Bologne
1955 The Aristocrats
1957 Escapade
1957 The Wheel
1959 The Tiger Attacks
1961 All the Gold in the World
1964 Champagne for Savages
1965 Circus Angel
1965 Ivory Coast Adventure
1968 Emma Hamilton
1975 Beyond Fear
2013 Angkor Rediscovered
2018 2017, The Disaster Diaries
2018 Mammifères marins - les maîtres des abysses
Director of Photography:
1947 The Kids Are Leading the Investigation
1950 La montagne est verte
1952 Le crime du Bouif
1952 The Forest of Farewell
1953 Koenigsmark
1954 Rasputin
1954 The Contessa's Secret
1954 The Pirates of the Bois du Bologne
1955 Les Hommes en blanc
1955 The Aristocrats
1957 Escapade
1957 The Tricyclist
1957 The Wheel
1958 Clara and the Villains
1959 It Only Happens to the Living
1959 The Night of the Hunted
1959 The Tiger Attacks
1960 Marie of the Isles
1961 All the Gold in the World
1961 The Crumblers Are Doing Well
1962 Arsène Lupin vs. Arsène Lupin
1962 The Dance
1962 The Iron Mask
1963 Ladies First
1964 Champagne for Savages
1964 Coplan, Agent 005
1964 Death, Where Is Your Victory?
1965 Circus Angel
1965 Ivory Coast Adventure
1965 Mission to Caracas
1966 The Other Truth
1966 The Saint Lies in Wait
1967 Dead Run
1968 Birds of Prey
1968 Emma Hamilton
1971 Le Cri du cormoran, le soir au-dessus des jonques
1973 La brigade en folie
1975 Beyond Fear
2013 Angkor Rediscovered
2018 2017, The Disaster Diaries
2018 Mammifères marins - les maîtres des abysses
Camera Operator:
1973 Molière pour rire et pour pleurer
Director of Photography:
1968 Sylvie des trois ormes
1973 Molière pour rire et pour pleurer
1978 Ce diable d'homme
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.