A work in constant progress (and occasional regress).
Key Makeup Artist:
1961 Last Year at Marienbad
1962 The Iron Mask
1975 Flesh of the Orchid
Makeup & Hair:
1961 Last Year at Marienbad
1962 The Iron Mask
1970 Donkey Skin
1975 Flesh of the Orchid
Makeup Artist:
1945 Bifur 3
1950 Orpheus
1955 School for Love
1957 A Girl in a Pocket
1957 The Suspects
1959 Hiroshima Mon Amour
1959 The Hunchback of Paris
1960 A Couple
1960 Testament of Orpheus
1961 Captain Fracasse
1961 Last Year at Marienbad
1962 The Iron Mask
1963 Muriel, or the Time of Return
1966 The War Is Over
1968 One Night... a Train
1970 Donkey Skin
1970 The House of the Bories
1972 Seduction Squad
1973 The Edifying and Joyous Story of Colinot
1975 Flesh of the Orchid
1979 Lady Oscar
Makeup Department Head:
1945 Bifur 3
1950 Orpheus
1955 School for Love
1957 A Girl in a Pocket
1957 The Suspects
1959 Hiroshima Mon Amour
1959 The Hunchback of Paris
1960 A Couple
1960 Testament of Orpheus
1961 Captain Fracasse
1961 Last Year at Marienbad
1962 The Iron Mask
1963 Muriel, or the Time of Return
1966 The Saint Lies in Wait
1966 The War Is Over
1968 One Night... a Train
1970 Donkey Skin
1970 The House of the Bories
1972 Seduction Squad
1973 The Edifying and Joyous Story of Colinot
1975 Flesh of the Orchid
1979 Lady Oscar
Makeup Designer:
1945 Bifur 3
1950 Orpheus
1954 The Count of Monte Cristo
1955 School for Love
1957 A Girl in a Pocket
1957 The Suspects
1959 Hiroshima Mon Amour
1959 The Hunchback of Paris
1959 Time Bomb
1960 A Couple
1960 Testament of Orpheus
1961 Captain Fracasse
1961 Last Year at Marienbad
1962 The Iron Mask
1963 Muriel, or the Time of Return
1966 The Saint Lies in Wait
1966 The War Is Over
1968 One Night... a Train
1970 Donkey Skin
1970 The House of the Bories
1972 Seduction Squad
1973 The Edifying and Joyous Story of Colinot
1975 Flesh of the Orchid
1979 Lady Oscar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.