A work in constant progress (and occasional regress).
Sound:
2017 Boule & Bill 2
Sound Editor:
2009 Red Nights
2011 Largo Winch II
2012 Ernest & Celestine
2012 Play It Like Godard
2013 Blue Is the Warmest Color
2016 The Ideal
2016 The Odyssey
2017 Boule & Bill 2
2017 Comment j'ai rencontré mon père
2018 Eva
2021 Beautiful Stranger
2021 The Deep House
2022 Kompromat
2022 La tête dans les étoiles
2023 Oh My Goodness!
2023 Suddenly
Sound Effects Editor:
2009 Red Nights
2011 Largo Winch II
2012 Ernest & Celestine
2012 Play It Like Godard
2013 Blue Is the Warmest Color
2016 The Ideal
2016 The Odyssey
2017 Boule & Bill 2
2017 Comment j'ai rencontré mon père
2018 Eva
2021 Beautiful Stranger
2021 The Deep House
2022 Kompromat
2022 La tête dans les étoiles
2023 In the Land of Saints and Sinners
2023 Oh My Goodness!
2023 Suddenly
Sound Mixer:
2009 Red Nights
2011 Largo Winch II
2012 Ernest & Celestine
2012 Play It Like Godard
2013 Blue Is the Warmest Color
2016 The Ideal
2016 The Odyssey
2017 Boule & Bill 2
2017 Comment j'ai rencontré mon père
2018 Eva
2021 Beautiful Stranger
2021 The Deep House
2022 Kompromat
2022 La tête dans les étoiles
2023 In the Land of Saints and Sinners
2023 Oh My Goodness!
2023 Suddenly
2023 The New Man
Supervising Sound Editor:
2009 Red Nights
2011 Largo Winch II
2012 Ernest & Celestine
2012 Play It Like Godard
2013 Blue Is the Warmest Color
2016 The Ideal
2016 The Odyssey
2017 Boule & Bill 2
2017 Comment j'ai rencontré mon père
2018 Eva
2018 The Bouncer
2019 The Spellbound
2019 The Spy
2021 Beautiful Stranger
2021 The Deep House
2022 Kompromat
2022 La tête dans les étoiles
2023 In the Land of Saints and Sinners
2023 Oh My Goodness!
2023 Suddenly
2023 The New Man
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.