A work in constant progress (and occasional regress).
Release Date:
October 29, 2004
Original Title:
In questo mondo di ladri
Genres:
Comedy
Production Companies:
Cecchi Gori Entertainment Europa
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 91
A group of middle-aged time-share investors get ripped off and their desire for revenge is well-timed for them to be recruited by a bank clerk who feels the same about his employers.
Assistant Editor:
Andrea Montanari
Giorgia Montanari
Boom Operator:
Claudio Paolucci
Camera Operator:
Roberto Luzzi
Casting:
Barbara Giordani
Costume Design:
Graziella Pera
Director:
Carlo Vanzina
Director of Photography:
Claudio Zamarion
Editor:
Luca Montanari
First Assistant Camera:
Alfonso Vicari
First Assistant Director:
Stefano Anselmi
Federica Ciciarelli
Gaffer:
Massimo Cecchini
Hair Department Head:
Marco Catalucci
Hairstylist:
Alessandro Cardillo
Key Grip:
Marco Santarelli
Line Producer:
Mario D'Alessio
Makeup Artist:
Patrizia Tofani
Makeup Department Head:
Martina Cossu
Original Music Composer:
Antonello Venditti
Enrico Cremonesi
Post Production Supervisor:
Monica Verzolini
Producer:
Vittorio Cecchi Gori
Production Coordinator:
Roberta Alicicco
Production Design:
Tonino Zera
Production Manager:
Remo Chiappa
Production Secretary:
Giovanna Cacciatore
Script Supervisor:
Cinzia Malatesta
Second Assistant Camera:
Duccio Maccari
Second Assistant Director:
Giuseppe Ferlito
Gioia Vicari
Set Decoration:
Donato Tieppo
Sound:
Tommaso Quattrini
Sound Mixer:
Danilo Moroni
Special Effects:
Roberto Ricci
Steadicam Operator:
Sascia Ippoliti
Still Photographer:
Emilio Lari
Unit Manager:
Micaela Borgiotti
Francesco Trifirò
Leonida Copertino
VFX Supervisor:
Giuseppe Squillaci
Writer:
Enrico Vanzina
Carlo Vanzina
Claudio Pallottini
Piero De Bernardi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.