A work in constant progress (and occasional regress).
Alias:
Roberto Luzi
"A" Camera Operator:
2024 Perfect Match
Assistant Camera:
1986 Let's Hope It's a Girl
2024 Perfect Match
Camera Operator:
1986 Let's Hope It's a Girl
1995 Cutthroat Island
1999 La fame e la sete
2002 Horse Fever: The Mandrake Sting
2002 La guerra è finita
2003 Soraya
2004 Che ne sarà di noi
2004 In This World of Thieves
2009 Il prossimo tuo
2011 Ex 2: Still Friends
2012 A Flat for Three
2012 Buona giornata
2017 Il premio
2019 All You Need is Crime
2021 I Fratelli De Filippo
2024 Perfect Match
2024 The Art of Joy
First Assistant Camera:
1986 Let's Hope It's a Girl
1989 Mary Forever
1990 Boys on the Outside
1991 The Invisible Wall
1995 Cutthroat Island
1999 La fame e la sete
2002 Horse Fever: The Mandrake Sting
2002 La guerra è finita
2003 Soraya
2004 Che ne sarà di noi
2004 In This World of Thieves
2009 Il prossimo tuo
2011 Ex 2: Still Friends
2012 A Flat for Three
2012 Buona giornata
2017 Il premio
2019 All You Need is Crime
2021 I Fratelli De Filippo
2024 Perfect Match
2024 The Art of Joy
Second Assistant Camera:
1986 Il caso Moro
1986 Let's Hope It's a Girl
1989 Mary Forever
1990 Boys on the Outside
1991 The Invisible Wall
1995 Cutthroat Island
1999 La fame e la sete
2002 Horse Fever: The Mandrake Sting
2002 La guerra è finita
2003 Soraya
2004 Che ne sarà di noi
2004 In This World of Thieves
2009 Il prossimo tuo
2011 Ex 2: Still Friends
2012 A Flat for Three
2012 Buona giornata
2017 Il premio
2019 All You Need is Crime
2021 I Fratelli De Filippo
2024 Perfect Match
2024 The Art of Joy
Camera Operator:
2000 Padre Pio: Between Heaven and Earth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.