A work in constant progress (and occasional regress).
Featuring:
Ariela Barer, Kristine Froseth, Lukas Gage
Written by:
Ariela Barer
Jordan Sjol
Daniel Goldhaber
Directed by:
Daniel Goldhaber
Release Date:
April 7, 2023
Original Title:
How to Blow Up a Pipeline
Alternate Titles:
Sabotaje
하우 투 블로우 업 어 파이프라인
Genres:
Crime | Drama | Thriller
Production Companies:
Chrono
Lyrical Media
Spacemaker Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 FI: K-16 GB: 15 NL: 12 NO: 12 PL: 16 PR: R PT: M/16 RO: 18 SE: 15 US: R
Runtime: 104
A crew of young environmental activists execute a daring mission to sabotage an oil pipeline.
A crew of environmental activists plot a daring plan to disrupt an oil pipeline.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Internet Movie Database | 6.9/10 |
---|---|
Rotten Tomatoes | 95% |
Metacritic | 76/100 |
Awards Won: | 5 wins & 16 nominations total |
ADR Mixer:
Greg Crawford
Art Department Assistant:
Paris Peterson
Art Department Coordinator:
Giovanna Anderson
Art Direction:
Kendra Tuthill
Assistant Costume Designer:
Fletcher Hurley
Assistant Director:
Heather I. Denton
Assistant Editor:
Emily Yue
Assistant Location Manager:
John Paul Lorello
Patrick Puhl
Assistant Property Master:
Daria Castellanos
Associate Producer:
Julianna Sy
Book:
Andreas Malm
Boom Operator:
Stefan Chakerian
Camera Operator:
Jose Espinoza
Casting:
Angelique Midthunder
Casting Associate:
Tara Mazzucca
Co-Producer:
Danielle Mandel
Colorist:
Dante Pasquinelli
Costume Designer:
Eunice Jera Lee
Dialogue Editor:
Eric Di Stefano
Director:
Daniel Goldhaber
Director of Photography:
Tehillah De Castro
Editor:
Daniel Garber
Executive Producer:
Forrest Goodluck
Riccardo Maddalosso
Jon Rosenberg
Natalie Sellers
Jordan Sjol
Eugene Kotlyarenko
First Assistant Camera:
Ruby Paiva
Foley Artist:
Vladimir Kerkez
Aleksandra Stojanovic
Gaffer:
Aji Bass
Graphic Designer:
Caitlin Miller
Hair Department Head:
Lauren Citera
Key Costumer:
Emma Murphy
Key Hair Stylist:
Denae Marshall
Cali Mazariego
Key Makeup Artist:
Cali Mazariego
Allie Swift
Line Producer:
Drew Brandon Jones
Loader:
Chastin Noblett
Location Casting:
Victoria Walker
Location Manager:
Gerard Averill
John Lucas
Makeup Artist:
Derek Herrera
Makeup Department Head:
Lauren Citera
Musician:
Morgan Greenwood
Jonathan Snipes
Matthew Wang
On Set Dresser:
Joshua Swanson
Original Music Composer:
Gavin Brivik
Post Production Supervisor:
Jon Branden
Emily Yue
Producer:
Isa Mazzei
Ariela Barer
Daniel Goldhaber
David Grove Churchill Viste
Adam Wyatt Tate
Alex Hughes
Alex Black
Production Coordinator:
Michelle Morte
Production Design:
Adri Siriwatt
Project Manager:
Kelly Hrebenak
Property Master:
Zachary Paraskeva
Scoring Mixer:
Forest Christenson
Screenplay:
Ariela Barer
Jordan Sjol
Daniel Goldhaber
Script Consultant:
Ajuawak Kapashesit
Olive Jane Lorraine
Clarissa Thibeaux
Script Supervisor:
Betty Austin
Second Assistant Camera:
Michelle Suh
Second Assistant Director:
Sara Victoria Bjerre Pedersen
Second Unit Director:
Isa Mazzei
Set Decoration:
Jessica Clark
Set Dresser:
Christian Urbina
Sound Assistant:
Jack Liden
Sound Designer:
Michael Odmark
Sound Effects Editor:
Coll Anderson
Sound Mixer:
Andrejs Prokopenko
Sound Re-Recording Mixer:
Ric Schnupp
Special Effects Coordinator:
Scott Hastings
Special Effects Manager:
Elliott Agnew
Steadicam Operator:
Jaron Tauch
Story Editor:
Jason Lester
Stunt Coordinator:
Heath Hensley
Stunt Double:
Tessa Anderson
Supervising Sound Editor:
Michael Odmark
Unit Production Manager:
Danielle Mandel
VFX Artist:
Eric M. Levy
Sean Perry
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.