A work in constant progress (and occasional regress).
Birthplace:
California
Daniel Garber is an American film editor, best known for his frequent collaborations with directors Daniel Goldhaber and Lance Oppenheim. He won Best Editing at the 2024 Independent Spirit Awards for his work on How to Blow Up a Pipeline.
Co-Producer:
2018 Cam
2024 SPERMWORLD
Consulting Editor:
2018 Cam
2021 The Paradise Next Door
2024 SPERMWORLD
Director:
2018 Cam
2019 Cuba Scalds His Hand
2021 The Paradise Next Door
2024 SPERMWORLD
Director of Photography:
2018 Cam
2019 Cuba Scalds His Hand
2021 The Paradise Next Door
2024 SPERMWORLD
Editor:
2015 The Reagan Shorts
2017 Graven Image
2017 The Reagan Show
2018 Cam
2019 Cuba Scalds His Hand
2019 Sirens
2020 The Rifleman
2021 Some Kind of Heaven
2021 The Paradise Next Door
2022 The Drop
2022 The Twins
2023 How to Blow Up a Pipeline
2024 SPERMWORLD
2025 The Non-Actor
Sound Designer:
2015 The Reagan Shorts
2017 Graven Image
2017 The Reagan Show
2018 Cam
2019 Cuba Scalds His Hand
2019 Sirens
2020 The Rifleman
2021 Some Kind of Heaven
2021 The Paradise Next Door
2022 The Drop
2022 The Twins
2023 How to Blow Up a Pipeline
2024 SPERMWORLD
2025 The Non-Actor
Writer:
2015 The Reagan Shorts
2017 Graven Image
2017 The Reagan Show
2018 Cam
2019 Cuba Scalds His Hand
2019 Sirens
2020 The Rifleman
2021 Some Kind of Heaven
2021 The Paradise Next Door
2022 The Drop
2022 The Twins
2023 How to Blow Up a Pipeline
2024 SPERMWORLD
2025 The Non-Actor
Consulting Editor:
2024 Ren Faire
Editor:
2021 Naomi Osaka
2024 Ren Faire
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.