A work in constant progress (and occasional regress).
Sound:
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
Sound Assistant:
2022 There is a Hole in the Ground
2023 How to Blow Up a Pipeline
2023 I Don't Fight the Dark as Well as I Used To
Sound Designer:
2022 Sammy Waits for a Call
2022 The End of a Thing
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 Bad Mother
2023 How to Blow Up a Pipeline
2023 I Don't Fight the Dark as Well as I Used To
2023 Parfum
2024 Citrinitas
2024 Living Reality
2025 Stationed at Home
???? Disco
???? Terra Incognita
Sound Editor:
2021 Conversations Between Shifts
2022 Sammy Waits for a Call
2022 The End of a Thing
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 Bad Mother
2023 How to Blow Up a Pipeline
2023 I Don't Fight the Dark as Well as I Used To
2023 Parfum
2024 Citrinitas
2024 Living Reality
2025 Stationed at Home
???? Disco
???? Public Space
???? Terra Incognita
Sound Effects Editor:
2021 Conversations Between Shifts
2022 Sammy Waits for a Call
2022 The End of a Thing
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 Bad Mother
2023 How to Blow Up a Pipeline
2023 I Don't Fight the Dark as Well as I Used To
2023 Parfum
2024 Citrinitas
2024 Living Reality
2025 Stationed at Home
???? Disco
???? Public Space
???? Terra Incognita
Sound Mix Technician:
2021 Conversations Between Shifts
2022 Sammy Waits for a Call
2022 Sharp Stick
2022 The End of a Thing
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 Bad Mother
2023 How to Blow Up a Pipeline
2023 I Don't Fight the Dark as Well as I Used To
2023 Parfum
2024 Citrinitas
2024 Living Reality
2024 Problemista
2025 Stationed at Home
???? Disco
???? Public Space
???? Terra Incognita
Sound Mixer:
2021 Conversations Between Shifts
2022 Sammy Waits for a Call
2022 Sharp Stick
2022 The End of a Thing
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 Bad Mother
2023 How to Blow Up a Pipeline
2023 I Don't Fight the Dark as Well as I Used To
2023 Parfum
2023 Portraits
2024 Citrinitas
2024 Living Reality
2024 Problemista
2025 Stationed at Home
???? Disco
???? Public Space
???? Terra Incognita
Sound Re-Recording Mixer:
2021 Conversations Between Shifts
2022 Sammy Waits for a Call
2022 Sharp Stick
2022 The End of a Thing
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 Bad Mother
2023 How to Blow Up a Pipeline
2023 I Don't Fight the Dark as Well as I Used To
2023 Parfum
2023 Portraits
2024 Citrinitas
2024 Living Reality
2024 Problemista
2025 Stationed at Home
???? Disco
???? Public Space
???? Terra Incognita
Sound Recordist:
2021 Conversations Between Shifts
2022 I'm At Home
2022 Sammy Waits for a Call
2022 Sharp Stick
2022 The End of a Thing
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 Bad Mother
2023 How to Blow Up a Pipeline
2023 I Don't Fight the Dark as Well as I Used To
2023 Parfum
2023 Portraits
2024 Citrinitas
2024 Living Reality
2024 Problemista
2025 Stationed at Home
???? Disco
???? Public Space
???? Terra Incognita
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.